1
00:00:00,000 --> 00:00:02,000
*Clears throat*

2
00:00:02,000 --> 00:00:04,000
*Clears throat*

3
00:00:04,000 --> 00:00:06,000
*Clears throat*

4
00:00:06,000 --> 00:00:08,000
*Clears throat*

5
00:00:08,000 --> 00:00:10,000
*Clears throat*

6
00:00:10,000 --> 00:00:12,000
*Clears throat*

7
00:00:12,000 --> 00:00:14,000
*Clears throat*

8
00:00:14,000 --> 00:00:16,000
*Clears throat*

9
00:00:16,000 --> 00:00:19,000
How are you getting on there guys? Sorry about that, there was a bit of consternation.

10
00:00:19,000 --> 00:00:22,000
Um, actually is it even streaming?

11
00:00:22,000 --> 00:00:24,000
Is it even streaming? It is. It is.

12
00:00:24,000 --> 00:00:28,000
It is. I can't see anyone in the chat though. Brooklyn, how are ya?

13
00:00:28,000 --> 00:00:37,000
Thanks very much everyone. Brooklyn, Connor Roach, Savage Rumblecock, thank you very much for tuning back in. Sorry about leaving ya.

14
00:00:37,000 --> 00:00:45,000
There, look, the doorbell went, I had to go and get the doorbell and then that was that, you know. The notch came undone, it was a fucking nightmare.

15
00:00:45,000 --> 00:00:56,000
Uh, but we can just continue, hopefully pick up where we left off there, cause it was getting intense, wasn't it? There was a fire on and everything like that.

16
00:00:56,000 --> 00:00:57,000
*Clears throat*

17
00:00:57,000 --> 00:01:01,000
How ya, were the filth there? Filth? There's no filth, Team Glenn, how are ya? There's no filth.

18
00:01:01,000 --> 00:01:06,000
Uh, what about the man in the cave, Brooklyn? What, there's no... I don't know what...

19
00:01:06,000 --> 00:01:13,000
There seems to be a lot of, uh, rumours, anyways, all I can say. Rumours and, uh, just...

20
00:01:13,000 --> 00:01:18,000
Rumour talk is basically what, what seems to be going on there in the chat.

21
00:01:18,000 --> 00:01:21,000
I'm just gonna say this and that and the other. People actually don't know.

22
00:01:21,000 --> 00:01:25,000
You, unless you, unless you're here anyways, you actually don't know, do ya?

23
00:01:25,000 --> 00:01:28,000
But there was nothing anyway to know, do you know? There was someone at the door.

24
00:01:28,000 --> 00:01:32,000
There's someone at the door, you go and answer the door, do you not? Be a bit rude.

25
00:01:32,000 --> 00:01:37,000
Um, sorry that the stream had to end, but the stream had to end, I couldn't answer the door otherwise.

26
00:01:37,000 --> 00:02:02,000
Sorry about that there. Yeah, I tried to switch the scene back to Village, I hit the wrong bit.

27
00:02:02,000 --> 00:02:26,000
I can do it again. Sorry. Why is the button not working? I hit the button that goes back to the Village, it just... the window comes out.

28
00:02:27,000 --> 00:02:30,000
Ugh. Bloody nightmare.

29
00:02:30,000 --> 00:02:45,000
Right, we're back. We're back in business again, and let's continue. Hopefully it's saved where we left off.

30
00:02:45,000 --> 00:02:51,000
As I remember, there was somebody's father being sent to a pit of flames.

31
00:02:51,000 --> 00:02:58,000
"Load most recent save data." No, imagine if it didn't save and we have to go all the way back to where we started the stream in the first place.

32
00:02:58,000 --> 00:03:04,000
"Load recent save data." Yes, yes, yes, yes, yes, yes, yes.

33
00:03:04,000 --> 00:03:09,000
Oh, good God.

34
00:03:09,000 --> 00:03:14,000
Oh!

35
00:03:14,000 --> 00:03:19,000
Well, it wouldn't be, it wouldn't be a normal night if it didn't have a bit of madness thrown into it.

36
00:03:19,000 --> 00:03:48,000
And there was nothing mad anyway. I don't even know why I'm saying it was mad. All that happened was a neighbor called to the door. The doorbell went. A few people saying what was going on with the filth, the rosters there. I need to explain to you, I actually purchased a doorbell from China that arrived. And it sounds like, it's funny, it's the funniest doorbell you'll ever hear. It sounds like a police siren. And we installed that as a joke on ourselves and forgot about it.

37
00:03:48,000 --> 00:03:59,000
And, uh, that's what happened then when the noise happened. That's what happened. Thanks very much there, Josh, for the tip. I hope you're getting on well.

38
00:03:59,000 --> 00:04:13,000
"Never answered the doorbell," you say, "could be the TV license inspector." Ha ha ha. Well, it wasn't. It wasn't anyway. If it's someone you know, they'll text and wait patiently until you see it 20 minutes. Exactly. That's another great tip as well.

39
00:04:13,000 --> 00:04:26,000
"The TV license inspector could be at the door. Make sure that it isn't." Because I, uh, one time I was living in a, uh, a flats and I let the fucker in and then he went around to each and every flat and I, I was...

40
00:04:26,000 --> 00:04:39,000
Needless to say, I wasn't very, I wasn't toast of the, the block there. Toast of the town. Toast of the block. Apartment block.

41
00:04:39,000 --> 00:04:53,000
Josh, thank you very much. For that and... To everyone out there, all I will say is that rumors and speculation, they're a waste of my time, they're a waste of your time as well, you know?

42
00:04:53,000 --> 00:05:05,000
And once, once, once pub talk grows a pair of wings, it flies. So, let's quench any sort of, uh, discussion as to what really, what really happened. Cause we, I've told you what really happened.

43
00:05:05,000 --> 00:05:10,000
Map, journal, objectives, file, discovered. Let's see what we're getting into here.

44
00:05:10,000 --> 00:05:18,000
Thanks for the tip. How ya, Lisa, Carney, thank you very much. And that's great. It's saved just at the flame house.

45
00:05:20,000 --> 00:05:31,000
Let me turn up the monitor gain here. Does anyone want me to turn up the gain on the screen there or is it a, is it a nice bit of business as it stands?

46
00:05:33,000 --> 00:05:35,000
I just, I don't get it.

47
00:05:35,000 --> 00:05:49,000
He doesn't get it. He doesn't get it. It's sound. Okay, some people say and turn it up. Mr. Mr., thanks very much there, Hellmarch.

48
00:05:50,000 --> 00:06:01,000
Red alert. When I play Red Alert, then you'll hear the Hellmarch. They can't, there's no, can't Hellmarch it up until I've Red Alert on the, on the go.

49
00:06:01,000 --> 00:06:03,000
Fuck is this happening again?

50
00:06:04,000 --> 00:06:05,000
Ah, shit!

51
00:06:06,000 --> 00:06:08,000
I'll turn the volume up anyway.

52
00:06:10,000 --> 00:06:18,000
But as for the, uh, the image quality, some, it's split. There's a few people saying it's grand and I don't know what to believe.

53
00:06:19,000 --> 00:06:27,000
The g- the gamma will blind you if you're not careful. Your gamma will blind you. Your rhetoric will smother you. If you're not careful.

54
00:06:28,000 --> 00:06:29,000
*sigh*

55
00:06:31,000 --> 00:06:33,000
It's grand, great stuff. Well, the volume is up anyway.

56
00:06:34,000 --> 00:06:38,000
Uh, be sure to let me know if it's, uh, messing with your mind.

57
00:06:39,000 --> 00:06:42,000
Screwdriver, family photo, we use a screwdriver to get inside here.

58
00:06:43,000 --> 00:06:47,000
And then we get another piece of the puzzle which lets us down into the gate. The demon crest.

59
00:06:48,000 --> 00:06:57,000
Which has a face of a demon on the front of the crest there. You put that crest inside the gate and spin it around and make sure it fits and aligns with the rest of the drawings and the images inside the gate.

60
00:06:58,000 --> 00:07:02,000
And, uh, do you know what? I'm happy that this house has gone to shit.

61
00:07:03,000 --> 00:07:04,000
*gunshot*

62
00:07:07,000 --> 00:07:08,000
A few- there's a few-

63
00:07:08,000 --> 00:07:10,000
A few gunshots happening now.

64
00:07:11,000 --> 00:07:12,000
Thank you very much there for the tip.

65
00:07:13,000 --> 00:07:16,000
Dolde Adams, you say. Thanks very much for the tip there.

66
00:07:17,000 --> 00:07:18,000
*gunshot*

67
00:07:18,000 --> 00:07:23,000
And, uh, this gate now. Do I unlock that right? There's a- there's a few gunshots going on.

68
00:07:23,000 --> 00:07:24,000
*gunshot*

69
00:07:24,000 --> 00:07:25,000
Great.

70
00:07:25,000 --> 00:07:27,000
Stop! Mother Miranda!

71
00:07:27,000 --> 00:07:28,000
*gunshot*

72
00:07:29,000 --> 00:07:30,000
*gunshot*

73
00:07:31,000 --> 00:07:32,000
*gunshot*

74
00:07:33,000 --> 00:07:35,000
Oh god. Mother is it?

75
00:07:36,000 --> 00:07:37,000
You hammered your mother.

76
00:07:37,000 --> 00:07:39,000
What was- what was that?

77
00:07:42,000 --> 00:07:50,000
So he says, uh, who is this? And what was that? And before that we heard a scream of someone going, "Ah, Mother Miranda."

78
00:07:51,000 --> 00:07:52,000
You hammered your mother.

79
00:07:53,000 --> 00:07:54,000
*gunshot*

80
00:07:54,000 --> 00:07:56,000
Now, let's have a look here.

81
00:07:56,000 --> 00:07:57,000
Angela McCourt, maybe?

82
00:07:57,000 --> 00:07:59,000
The angel of the frames.

83
00:07:59,000 --> 00:08:01,000
60 of them per second, by the way.

84
00:08:02,000 --> 00:08:03,000
That's what we're streaming in.

85
00:08:03,000 --> 00:08:09,000
Hopefully you're getting that in a lovely, nice, big, resolatory 1080 progressive.

86
00:08:10,000 --> 00:08:11,000
That's the images being-

87
00:08:12,000 --> 00:08:14,000
*flashed* 60 times.

88
00:08:15,000 --> 00:08:18,000
One after the other. It's not interlaced. Goddammit.

89
00:08:18,000 --> 00:08:22,000
You're not seeing half an image and then another half of the image in lines.

90
00:08:22,000 --> 00:08:24,000
That's not how we roll here. We're progressive.

91
00:08:24,000 --> 00:08:25,000
*gunshot*

92
00:08:25,000 --> 00:08:26,000
Death!

93
00:08:26,000 --> 00:08:27,000
Yes.

94
00:08:27,000 --> 00:08:28,000
Death has visited them all.

95
00:08:28,000 --> 00:08:29,000
*laughs*

96
00:08:29,000 --> 00:08:30,000
*laughs*

97
00:08:30,000 --> 00:08:31,000
*laughs*

98
00:08:31,000 --> 00:08:35,000
*laughs*

99
00:08:35,000 --> 00:08:36,000
Is bag-

100
00:08:36,000 --> 00:08:40,000
Sorry, bag of boxes said the stream is pixelated. Are you serious?

101
00:08:40,000 --> 00:08:40,000
*laughs*

102
00:08:40,000 --> 00:08:53,000
Is anybody getting a pixelated stream or does it look alright? I- I was hoping it's gonna be a nice, clean stream. That's what I want- *laughs*

103
00:08:53,000 --> 00:08:54,000
*laughs*

104
00:08:54,000 --> 00:08:55,000
*laughs*

105
00:08:55,000 --> 00:09:08,000
Not really. Not really. I'm not- I want it to be fucking perfect. When it's moving it's snowy. Sound, ignore 'em. The scream is clean. Not great stream, Brian Harvey. The scream is grand, Rachel C.

106
00:09:08,000 --> 00:09:10,000
*laughs*

107
00:09:10,000 --> 00:09:11,000
*laughs*

108
00:09:11,000 --> 00:09:12,000
*laughs*

109
00:09:12,000 --> 00:09:13,000
*laughs*

110
00:09:13,000 --> 00:09:14,000
*laughs*

111
00:09:14,000 --> 00:09:15,000
*laughs*

112
00:09:15,000 --> 00:09:18,700
Thank you very much to Helmarch and Howie, Elisa and Doldy.

113
00:09:18,700 --> 00:09:23,420
I'm sure there's a few people out there willing to just mess with my mind for the sake of it.

114
00:09:24,020 --> 00:09:26,060
Well, well done lads.

115
00:09:26,340 --> 00:09:28,420
You've had your fun, you've had your time now.

116
00:09:29,560 --> 00:09:30,880
I'm going to move on from that.

117
00:09:31,900 --> 00:09:33,340
What's the story with this woman?

118
00:09:37,180 --> 00:09:39,160
You can't do anything, you can't.

119
00:09:41,200 --> 00:09:42,160
Papa Shango.

120
00:09:42,160 --> 00:09:43,160
Papa Shango.

121
00:09:51,740 --> 00:09:53,320
Right, we don't need to be in here.

122
00:09:53,420 --> 00:09:59,560
We need to go and fix the beast plaque onto the gate of Damien's soul over here.

123
00:10:01,680 --> 00:10:05,060
And let's put this beast's head inside here.

124
00:10:05,180 --> 00:10:06,600
Get ready for the demon crest, guys.

125
00:10:06,700 --> 00:10:11,400
It's a classic bit of Resident Evil shenanigans where we spin around the demon's head

126
00:10:11,400 --> 00:10:16,420
so it lines up with the bust, or whatever you call that.

127
00:10:16,860 --> 00:10:18,380
Bit of business on the gate there.

128
00:10:20,280 --> 00:10:22,380
Look at the little eyes and the nose on it.

129
00:10:27,980 --> 00:10:29,220
The gate opens.

130
00:10:29,680 --> 00:10:30,260
The sesame.

131
00:10:31,260 --> 00:10:33,380
The sesame has opened.

132
00:10:38,980 --> 00:10:47,200
It's a bit JPEG here.

133
00:10:48,440 --> 00:10:49,440
But it's fine.

134
00:10:50,560 --> 00:10:51,040
Ah, God.

135
00:10:51,240 --> 00:10:53,120
Are you still talking about that stuff now?

136
00:10:54,120 --> 00:10:56,660
No sex discrimination in this one lads.

137
00:10:56,720 --> 00:11:01,080
Come on, go into the internet tonight and go and tell me something different in the chat box.

138
00:11:01,620 --> 00:11:04,860
Because I'm sick of hearing about your fucking image quality.

139
00:11:05,880 --> 00:11:08,700
I mean, provided it's okay for everyone out there.

140
00:11:09,000 --> 00:11:09,340
Lads.

141
00:11:13,640 --> 00:11:20,760
I just wanted to throw a knife blade into this fucking post here because it looks sufficiently knifeable.

142
00:11:21,400 --> 00:11:22,000
But it's not.

143
00:11:22,320 --> 00:11:23,160
Oh, look.

144
00:11:23,240 --> 00:11:25,360
We follow the lead.

145
00:11:25,940 --> 00:11:27,600
Could be an electrocution thing, is it?

146
00:11:27,660 --> 00:11:28,660
Or is it just...

147
00:11:29,660 --> 00:11:29,980
It's not.

148
00:11:30,040 --> 00:11:30,580
It's rope.

149
00:11:30,580 --> 00:11:38,700
Alright.

150
00:11:39,020 --> 00:11:40,700
Into the castle we go anyways.

151
00:11:41,220 --> 00:11:41,800
Castle bar.

152
00:11:41,960 --> 00:11:44,580
Let's have a look over here to these...

153
00:11:44,580 --> 00:11:46,720
Little tunnel and these bars.

154
00:11:47,000 --> 00:11:47,720
There are the bars.

155
00:11:48,060 --> 00:11:48,880
And that's the castle.

156
00:11:48,880 --> 00:12:05,020
You told image quality that your picture was an angel of the streams.

157
00:12:05,460 --> 00:12:05,940
Kill fish.

158
00:12:06,020 --> 00:12:07,060
Can you kill the fish down there?

159
00:12:07,220 --> 00:12:08,100
I'm not gonna waste time.

160
00:12:08,100 --> 00:12:08,820
There are no...

161
00:12:08,820 --> 00:12:11,220
There are no consequence to me anyway.

162
00:12:17,480 --> 00:12:19,180
The top knot got...

163
00:12:19,180 --> 00:12:21,120
Look, there was a bit of movement going on, Jordan.

164
00:12:21,360 --> 00:12:22,220
Top knot went.

165
00:12:22,480 --> 00:12:23,240
Went bye-bye.

166
00:12:24,200 --> 00:12:26,040
No sex discrimination here, lads.

167
00:12:26,300 --> 00:12:30,460
And I've actually reverted to Francis Higgins, the original name, before changing of depot.

168
00:12:30,500 --> 00:12:32,700
I'm gonna have to fucking get onto them tomorrow because they're closed now.

169
00:12:33,760 --> 00:12:36,340
Illegally, I am top knot Higginary is what I mean.

170
00:12:36,480 --> 00:12:37,660
I'd prefer to be...

171
00:12:37,660 --> 00:12:38,660
Dead...

172
00:12:38,660 --> 00:12:40,160
I'd prefer to that...

173
00:12:40,160 --> 00:12:41,200
For that to be dead named.

174
00:12:41,400 --> 00:12:43,200
My dead name is now resurrected.

175
00:12:43,600 --> 00:12:46,380
So you can dead name the fucking Higginary one.

176
00:12:46,580 --> 00:12:48,540
And just resume normal Francis business.

177
00:12:48,620 --> 00:12:49,520
That's okay with you.

178
00:12:50,620 --> 00:12:51,440
Crazy bit of business.

179
00:12:51,540 --> 00:12:54,140
I can't really be expecting for anyone to understand.

180
00:12:54,280 --> 00:13:00,380
If you didn't see the last stream before the abrupt ending, you don't have a clue what I'm on about.

181
00:13:01,040 --> 00:13:07,500
Now, we've a lovely little crank or a lovely little switch which we can use our hands.

182
00:13:07,720 --> 00:13:10,140
Which God gave us, according to some people.

183
00:13:10,140 --> 00:13:11,680
Didn't think anyone was left.

184
00:13:12,900 --> 00:13:13,240
Right.

185
00:13:14,180 --> 00:13:15,760
Who's this cool customer?

186
00:13:16,040 --> 00:13:16,400
Already?

187
00:13:17,980 --> 00:13:19,820
I'm gonna give him the benefit of the doubt.

188
00:13:19,920 --> 00:13:23,060
But I don't like the cut of his shenanigans.

189
00:13:23,440 --> 00:13:25,280
Because he's coming over with the hat down.

190
00:13:25,620 --> 00:13:26,620
He's not even looking.

191
00:13:26,840 --> 00:13:28,180
Thanks very much, Dara Dermody.

192
00:13:28,300 --> 00:13:29,320
I hope you're getting on well.

193
00:13:29,400 --> 00:13:30,000
Thanks for the tip.

194
00:13:30,060 --> 00:13:31,520
What's your prediction for the Mayo match?

195
00:13:31,780 --> 00:13:32,920
Who do I bet the house on?

196
00:13:33,200 --> 00:13:35,960
Well, it's either Mayo versus we don't know yet.

197
00:13:36,060 --> 00:13:39,440
Because, as you know, it's Tyrone and Kerry this week.

198
00:13:39,860 --> 00:13:42,340
Coverage starts at half two on RTE.

199
00:13:42,560 --> 00:13:44,100
And half two on Sky as well.

200
00:13:44,240 --> 00:13:45,940
Great advertising for the two channels there.

201
00:13:46,740 --> 00:13:48,940
I don't know why I decided to do that.

202
00:13:48,940 --> 00:13:53,980
But I read the article before I fucking came on stream.

203
00:13:54,240 --> 00:13:55,580
So, I mean, that's why it's in my head.

204
00:13:55,680 --> 00:13:58,380
But anyway, we won't know until that happens.

205
00:13:58,440 --> 00:14:01,080
And hopefully, Tyrone win, I'd say.

206
00:14:01,740 --> 00:14:05,300
Even though they've fucking won in 2003, didn't they?

207
00:14:05,340 --> 00:14:06,780
In 2005 at the end, I think.

208
00:14:06,820 --> 00:14:07,560
In 2008.

209
00:14:08,500 --> 00:14:12,660
And so they're well equipped, so to speak.

210
00:14:13,260 --> 00:14:14,960
And also, Kerry or Kerry.

211
00:14:15,120 --> 00:14:17,900
So, I mean, it's fucking dodgy enough, isn't it?

212
00:14:18,040 --> 00:14:19,280
It's a dodgeball.

213
00:14:19,440 --> 00:14:20,440
Let's get back to this game.

214
00:14:20,780 --> 00:14:23,160
If this is a dealer, okay?

215
00:14:23,240 --> 00:14:25,080
If this is a guy that's what are you buying?

216
00:14:25,280 --> 00:14:28,740
I prefer to be the old guy from the last games who goes,

217
00:14:29,360 --> 00:14:30,220
What are you buying?

218
00:14:30,280 --> 00:14:32,460
What are you selling?

219
00:14:33,560 --> 00:14:41,480
So, already I'm a bit put out by the facts very much for the tip there, conniving, and also Daridermity.

220
00:14:41,860 --> 00:14:43,380
I'm a bit put out by this.

221
00:14:43,440 --> 00:14:51,380
I don't really like the situation that's going on with him and his cool customer shenanigans and his big blade or heavy hammer or whatever the fuck he's got.

222
00:14:51,380 --> 00:15:08,160
Oh my god.

223
00:15:10,660 --> 00:15:14,840
Is the game too loud, lads?

224
00:15:15,200 --> 00:15:16,760
Is the game too loud, lads?

225
00:15:21,440 --> 00:15:24,300
Some woman now is going to love me, apparently.

226
00:15:24,540 --> 00:15:25,340
Mother Miranda.

227
00:15:27,340 --> 00:15:28,640
Little bit too loud.

228
00:15:29,340 --> 00:15:29,900
Oh, it's okay.

229
00:15:30,000 --> 00:15:30,160
Okay.

230
00:15:30,280 --> 00:15:30,440
Right.

231
00:15:30,520 --> 00:15:32,420
Sorry there.

232
00:15:32,560 --> 00:15:34,220
Someone said a little bit too loud.

233
00:15:34,300 --> 00:15:38,260
You've been overruled in a big, big, big, big, big, big way.

234
00:15:42,620 --> 00:15:48,180
And lemon fox sadly overruled by the overwhelming majority.

235
00:15:48,180 --> 00:15:49,080
Here we go.

236
00:15:53,080 --> 00:15:55,740
Furthermore, I can show that you entrust the mortal to house.

237
00:15:55,860 --> 00:15:56,340
Oh, please.

238
00:15:57,440 --> 00:15:59,400
Who let fucking Tim Burton in the house?

239
00:15:59,680 --> 00:16:01,120
Did somebody leave the door open?

240
00:16:01,180 --> 00:16:05,780
Because Tim Burton's after coming in and he started fucking making an absolute dreamscape of the place.

241
00:16:07,360 --> 00:16:09,060
Yeah, and his missus is in as well.

242
00:16:09,160 --> 00:16:11,800
She's fucking arcing around doing adverts for Sky now as well.

243
00:16:12,640 --> 00:16:12,940
Yeah.

244
00:16:13,180 --> 00:16:14,600
Put him out when you can, please.

245
00:16:15,100 --> 00:16:17,100
Can you put, can somebody put Tim Burton out?

246
00:16:19,160 --> 00:16:20,800
My daughters and I will liberty.

247
00:16:20,800 --> 00:16:21,960
Get out of the way!

248
00:16:22,180 --> 00:16:25,680
Look at this old cracker jacker lular here as well.

249
00:16:26,120 --> 00:16:30,460
We have Mad Doll and Johnny Mad Doll.

250
00:16:31,180 --> 00:16:34,580
And we have a hunchback of Notre Damus.

251
00:16:34,700 --> 00:16:35,400
Nostradamus.

252
00:16:35,880 --> 00:16:37,180
Thank you very much there.

253
00:16:37,180 --> 00:16:38,800
A. Lloyd O'Connor.

254
00:16:38,900 --> 00:16:39,160
Thank you.

255
00:16:39,220 --> 00:16:39,620
Oh, Lloyd.

256
00:16:39,820 --> 00:16:40,020
Sorry.

257
00:16:40,500 --> 00:16:43,460
Do you know the way Lloyd has two L's at the beginning?

258
00:16:43,640 --> 00:16:44,500
What's that about?

259
00:16:44,720 --> 00:16:46,480
Just one L is sufficient.

260
00:16:47,220 --> 00:16:49,080
But not to have a go at you, Lloyd.

261
00:16:49,160 --> 00:16:49,740
Thanks for the tip.

262
00:16:50,160 --> 00:16:51,340
Stay hydrated, Francis.

263
00:16:51,460 --> 00:16:54,300
I'll take that info and I'll use it.

264
00:16:54,420 --> 00:16:55,640
Have yourself some fizzy water.

265
00:16:55,880 --> 00:16:56,740
That's the crack.

266
00:16:57,520 --> 00:17:02,280
So here we have a Tim Burton-esque scenario with the big woman in it as well.

267
00:17:02,360 --> 00:17:04,060
She's a big woman, but she's good.

268
00:17:04,200 --> 00:17:04,920
Oh, she's good.

269
00:17:04,980 --> 00:17:07,760
And she's going to tell us the score, maybe.

270
00:17:08,040 --> 00:17:08,900
Get on the floor.

271
00:17:10,860 --> 00:17:12,100
Let's not skip that.

272
00:17:12,440 --> 00:17:13,360
I want to see!

273
00:17:15,700 --> 00:17:16,660
He's awake!

274
00:17:17,740 --> 00:17:18,920
Bazaar, shut the fuck up!

275
00:17:19,200 --> 00:17:19,420
What?

276
00:17:19,960 --> 00:17:21,740
I like that bitch.

277
00:17:21,740 --> 00:17:23,540
You mean you'll screw around with him in private?

278
00:17:23,660 --> 00:17:24,500
Where's the fun in that?

279
00:17:25,140 --> 00:17:28,420
Give him to me and I'll put on a show that everybody can enjoy.

280
00:17:28,600 --> 00:17:30,200
Ugh, so gauche.

281
00:17:30,600 --> 00:17:32,740
What do we care for bread and circuses?

282
00:17:33,160 --> 00:17:35,380
The man-things suffering is assured.

283
00:17:35,480 --> 00:17:37,960
Yak yak, as a man's dick is cut off in the castle.

284
00:17:38,120 --> 00:17:39,260
Blah, blah, blah.

285
00:17:40,060 --> 00:17:43,380
A real collection of ringers and asshats.

286
00:17:43,760 --> 00:17:47,180
And I don't like that word, asshat, but I'm willing to use it here.

287
00:17:47,220 --> 00:17:48,480
I'm going to be willing to use it tonight.

288
00:17:48,820 --> 00:17:49,080
Okay?

289
00:17:50,120 --> 00:17:52,180
You can go into the internet tonight, lads.

290
00:17:52,860 --> 00:17:54,060
Thanks very much, Gympie Ewan.

291
00:17:54,780 --> 00:17:56,200
Is it true you had trials for West Ham?

292
00:17:56,280 --> 00:17:56,600
It's false.

293
00:17:56,700 --> 00:17:57,100
It's a lie.

294
00:17:57,840 --> 00:17:59,100
Thanks for the tip.

295
00:18:00,080 --> 00:18:00,480
Intermaline.

296
00:18:00,560 --> 00:18:01,780
You know it was Intermaline.

297
00:18:02,080 --> 00:18:02,800
Hello, Squishy.

298
00:18:02,840 --> 00:18:03,580
Thank you very much.

299
00:18:03,640 --> 00:18:04,220
Hello, Squishy.

300
00:18:04,220 --> 00:18:05,440
I've heard all your arguments.

301
00:18:06,000 --> 00:18:10,760
Some of you were less persuasive than others, but I've made my decision.

302
00:18:12,400 --> 00:18:15,700
Heisenberg, the man's fate is in your hands.

303
00:18:16,220 --> 00:18:18,240
Mother Miranda, I must protest.

304
00:18:18,940 --> 00:18:23,060
Heisenberg is but a child and his devotion to you is questionable.

305
00:18:23,380 --> 00:18:24,400
You hammered your mother.

306
00:18:24,460 --> 00:18:27,580
Give the mortal to me and I will ensure he is ready.

307
00:18:27,800 --> 00:18:30,900
Shut your jambole and don't be a sore loser.

308
00:18:30,900 --> 00:18:32,040
Hello, Line 4. Good evening.

309
00:18:32,080 --> 00:18:33,600
I'll find her food somewhere else.

310
00:18:33,660 --> 00:18:34,440
Quiet now, child.

311
00:18:34,440 --> 00:18:35,800
Hot talks, heavy, here.

312
00:18:35,960 --> 00:18:37,340
Adults, all talking.

313
00:18:37,480 --> 00:18:38,080
I'm the child.

314
00:18:38,220 --> 00:18:40,480
You're the one who's arguing with Miranda's decision.

315
00:18:40,580 --> 00:18:41,860
Hot talks, heavy, here.

316
00:18:41,860 --> 00:18:42,540
If it was welding to them.

317
00:18:42,540 --> 00:18:43,780
Oh, keep drawing.

318
00:18:43,940 --> 00:18:45,720
One day your head will actually fit your ego.

319
00:18:46,200 --> 00:18:49,320
Fight, fight, fight, fight, fight, fight.

320
00:18:49,320 --> 00:18:49,640
Silence!

321
00:18:50,640 --> 00:18:52,520
My decision is final.

322
00:18:53,500 --> 00:18:54,340
Sorry about that.

323
00:18:54,380 --> 00:18:57,040
I opened a fucking window there and I...

324
00:18:57,040 --> 00:18:58,120
Oh, Christ.

325
00:18:59,400 --> 00:19:00,620
Let's go back to the game.

326
00:19:01,600 --> 00:19:01,940
I know.

327
00:19:02,340 --> 00:19:03,100
There will be no argument.

328
00:19:03,100 --> 00:19:04,400
Look at this one here.

329
00:19:04,480 --> 00:19:05,120
She's got a...

330
00:19:05,120 --> 00:19:05,620
Remember...

331
00:19:05,620 --> 00:19:06,900
Eyes wide shut mascot.

332
00:19:06,900 --> 00:19:08,020
Bang.

333
00:19:09,880 --> 00:19:10,240
Huh.

334
00:19:11,760 --> 00:19:14,500
Lycans and gentlemen.

335
00:19:15,440 --> 00:19:17,000
We thank you for winning.

336
00:19:17,700 --> 00:19:19,260
And now let the games begin.

337
00:19:21,880 --> 00:19:23,100
Let's see what you have.

338
00:19:24,100 --> 00:19:25,160
Ethan Mutters.

339
00:19:26,840 --> 00:19:27,620
Get ready.

340
00:19:28,880 --> 00:19:34,400
Look at this guy's massive steampunk cogwheel hammer that he's got.

341
00:19:35,440 --> 00:19:37,840
How intricate and elaborate and bespoke.

342
00:19:38,080 --> 00:19:38,380
Wow.

343
00:19:38,600 --> 00:19:39,960
Where did he get that made?

344
00:19:40,160 --> 00:19:42,000
Whose mind conceptualized that?

345
00:19:42,740 --> 00:19:43,280
Who cares?

346
00:19:43,440 --> 00:19:44,120
It's so good.

347
00:19:44,260 --> 00:19:46,700
Stop poking holes in it, Francis.

348
00:19:47,100 --> 00:19:47,960
Just enjoy it.

349
00:19:48,020 --> 00:19:49,060
Go along for the laugh.

350
00:19:49,260 --> 00:19:50,100
It's a great game.

351
00:19:50,420 --> 00:19:54,000
Some people and critics have heralded it as a return to form for the series.

352
00:19:54,000 --> 00:19:57,240
I really wish he wouldn't slate what is perfectly okay.

353
00:20:01,240 --> 00:20:02,600
10.

354
00:20:03,500 --> 00:20:04,320
Oh, Christ.

355
00:20:04,380 --> 00:20:04,600
5.

356
00:20:05,300 --> 00:20:06,160
8.

357
00:20:07,020 --> 00:20:07,620
7.

358
00:20:08,300 --> 00:20:09,260
6.

359
00:20:09,800 --> 00:20:10,900
5.

360
00:20:11,300 --> 00:20:12,340
4.

361
00:20:13,100 --> 00:20:13,900
3.

362
00:20:14,460 --> 00:20:15,600
2.

363
00:20:16,300 --> 00:20:17,220
1.

364
00:20:17,220 --> 00:20:22,520
Showtime is it?

365
00:20:23,940 --> 00:20:28,300
And here we have a section of the game known as Showtime.

366
00:20:30,420 --> 00:20:37,120
And I'm waltzing around the place like Christoph was in the film Save the Last Waltz.

367
00:20:38,960 --> 00:20:44,300
Is the game too loud now? I'm having trouble with the game now. It's too loud for me.

368
00:20:44,680 --> 00:20:48,440
I'm gonna turn it down a notch or two on the wheel of death.

369
00:20:53,720 --> 00:20:58,240
I'm gonna just go on my wits here. Can you just run through the fucking here, kid?

370
00:20:59,340 --> 00:21:00,340
And, uh...

371
00:21:01,920 --> 00:21:12,960
Monitor the levels and adjust them as is necessary without consulting the audience because you didn't tune in.

372
00:21:13,960 --> 00:21:23,720
Fucking... Oh, God. How do we get away from that? You didn't tune in to monitor audio. You tuned in to see some quality gameplay.

373
00:21:27,720 --> 00:21:35,560
got some really cool cutscenes here. These are great. I don't do anything, but it's crazy

374
00:21:35,560 --> 00:21:40,140
stuff going through a tunnel on your arse. Sliding through a fucking tunnel on your arse.

375
00:21:40,980 --> 00:21:47,000
It looks great. That's great, Parak, because people were saying it looks blotchy and pixelated,

376
00:21:47,000 --> 00:21:49,000
and I'm glad about that.

377
00:21:54,500 --> 00:22:19,420
Now, we have a death trap dungeon scenario commencing here. I will put money on there being a situation which happens just before I get killed, because it doesn't look like there's any way out for me here. So something, a cutscene will happen just before I die. So you're a liar, because that's gonna happen just before I die. Maybe you have to go over here and press something.

378
00:22:22,280 --> 00:22:32,420
Right? Maybe crouch down like that. Peter Crouch. Crouching. Oh. Here we go. Something here.

379
00:22:34,280 --> 00:22:47,060
These guys are funny enough, aren't they? They must be absolutely ripping. They can't get to me.

380
00:22:48,440 --> 00:22:55,300
And I would probably throw a fire or a pickaxe in at my face if I was one of those, but thank God I'm not.

381
00:22:56,460 --> 00:23:03,320
Now, kick the wood, someone's saying. Kick the wood. I'm going over here and pressing the buttons. There's not even a fucking option.

382
00:23:03,320 --> 00:23:05,100
Let's go.

383
00:23:17,780 --> 00:23:18,780
Let's search.

384
00:23:18,780 --> 00:23:48,760
Let's go.

385
00:23:48,760 --> 00:24:18,740
Let's go.

386
00:24:18,740 --> 00:24:19,480
Game boy.

387
00:24:19,480 --> 00:24:21,480
Let's go.

388
00:24:21,480 --> 00:24:23,480
Let's go.

389
00:24:23,480 --> 00:24:25,480
Let's go.

390
00:24:25,480 --> 00:24:27,480
Let's go.

391
00:24:27,480 --> 00:24:33,480
Let's go.

392
00:24:33,480 --> 00:24:35,480
Let's go.

393
00:24:35,480 --> 00:24:41,480
Let's go.

394
00:24:41,480 --> 00:24:43,480
Let's go.

395
00:24:43,480 --> 00:24:49,480
Let's go.

396
00:24:49,480 --> 00:24:51,480
Let's go.

397
00:24:51,480 --> 00:24:53,480
Let's go.

398
00:24:53,480 --> 00:25:01,480
Let's go.

399
00:25:01,480 --> 00:25:03,480
Let's go.

400
00:25:03,480 --> 00:25:13,480
Let's go.

401
00:25:13,480 --> 00:25:15,480
Let's go.

402
00:25:15,480 --> 00:25:15,480
Let's go.

403
00:25:15,480 --> 00:25:17,480
Let's go.

404
00:25:17,480 --> 00:25:19,480
Let's go.

405
00:25:19,480 --> 00:25:49,460
Let's go.

406
00:25:49,460 --> 00:26:19,440
Let's go.

407
00:26:19,440 --> 00:26:30,420
This is Resident Evil Village. Hold on one second, one second. I want to make sure you

408
00:26:30,420 --> 00:26:34,420
can hear this because it's a great game.

409
00:26:34,420 --> 00:27:04,400
No sex discrimination in this one, lads.

410
00:27:04,400 --> 00:27:33,600
This is the Gallery Genèse, an art gallery in San Mateo, California. It has the usual collection of watercolors, oils, and so on, but it also has these rather interesting pieces by an artist named Diane Fenster. What's special about these pieces is that they were done not using watercolors or oils, but using the pixels of a computer. Even the most traditional artists are now recognizing the computer as a legitimate medium of art.

411
00:27:33,600 --> 00:27:39,160
Today we'll take a look at computers and art on this edition of the Computer Chronicles.

412
00:27:39,160 --> 00:27:58,580
This is an art show. And indeed it is an art show, but it in... Oh fuck. Can you hear me? Someone's saying I'm muted.

413
00:27:59,720 --> 00:28:03,060
Bah. I'm not muted. I can see the fucking levels going up and down.

414
00:28:05,160 --> 00:28:13,100
What was he reading in the little page book there, look.

415
00:28:13,100 --> 00:28:14,500
There's an art gallery.

416
00:28:17,160 --> 00:28:18,160
This is...

417
00:28:20,160 --> 00:28:22,520
Thanks for the tip.

418
00:28:26,100 --> 00:28:28,520
Ijani Aliasky. Thank you very much.

419
00:28:28,600 --> 00:28:28,600
Ijani Aliasky. Thank you very much.

420
00:28:28,600 --> 00:28:31,260
Ijani Aliasky. An art gallery in San Mateo, California.

421
00:28:31,660 --> 00:28:34,500
Best of luck out there in wherever you're playing now.

422
00:28:34,500 --> 00:28:42,200
It has the usual collection of watercolors, oils, and so on, but it also has these rather interesting pieces by an artist named Diane Fenster.

423
00:28:42,820 --> 00:28:43,920
Thanks for the tip.

424
00:28:44,160 --> 00:29:00,220
Team Glenn. Thank you very much, Team Glenn. Look at this lovely bit of business here. It's the vaporwave stuff aesthetic that we have nowadays, but it's back in the day when it wasn't even known as vaporwave. It was just wave.

425
00:29:00,220 --> 00:29:03,680
It was just nothing. It wasn't even ever titled.

426
00:29:03,680 --> 00:29:17,200
But using the pixels of a computer. Even the most traditional artists are now recognizing the computer as a legitimate medium of art. Today we'll take a look at computers and art on this edition of the Computer Chronicles.

427
00:29:22,480 --> 00:29:34,120
Antonio Prola says it was just called, I think it was just called Shite back then, but I mean, it was in a little gallery there. So maybe there was something going on. Maybe it had a bit of, a bit of swag to it.

428
00:29:44,120 --> 00:29:50,100
Computer Chronicles is made possible in part by Intel, the world's leading manufacturer of microprocessors.

429
00:29:50,620 --> 00:29:58,160
The world's leading manufacturers and processors. Intel's inside. We come with some digital processors.

430
00:29:59,140 --> 00:30:06,400
Yeah, sorry about the, uh, we will go back to Resident Evil, but just not now, not night, not, not now after that shit.

431
00:30:07,720 --> 00:30:12,280
Someone said it's, it's bugged or something. In fact, I didn't even quit the game.

432
00:30:13,060 --> 00:30:18,800
The next bit of the game just goes into an episode of Computer Chronicles, which you can stop and start at any given moment.

433
00:30:19,980 --> 00:30:27,880
What an amazing twist in the tale from Capcom. Those crazy guys over there in Tokyo.

434
00:30:27,880 --> 00:30:30,080
Tell the computer inside.

435
00:30:30,760 --> 00:30:34,360
Additional funding is provided by the Software Publishers Association.

436
00:30:34,520 --> 00:30:40,720
S.P.A. guys. Do the homework. Do your stuff. Make sure you don't get caught out. Don't copy the floppy.

437
00:30:41,520 --> 00:31:01,960
And don't open the door if there's, uh, fucking cops there or anything like that. Look at that! Is there a Super Nintendo, uh, from back in the day, 1992? Super Nintendo box, it seems. But it was the American version, SNES. That looked a little bit different. Famicom. Super Famicom. Super Family Computer.

438
00:31:05,340 --> 00:31:06,540
Welcome to the community.

439
00:31:07,420 --> 00:31:10,340
Look what he was doing there with that little snake on the screen.

440
00:31:11,020 --> 00:31:13,580
He had a lovely little snake on the screen.

441
00:31:13,940 --> 00:31:17,400
He was painting with the application called Snake.

442
00:31:18,700 --> 00:31:19,780
Neo Geo.

443
00:31:20,120 --> 00:31:23,040
I just want to move this microphone and make sure it doesn't fucking...

444
00:31:23,040 --> 00:31:25,160
Crucibleize my stream.

445
00:31:26,740 --> 00:31:29,100
Look at this. What's he doing there with this?

446
00:31:31,860 --> 00:31:37,340
It's like, Stu, you could have drawn a smiley face or something, Stu.

447
00:31:38,120 --> 00:31:40,260
Instead, you've done squiggly lines.

448
00:31:40,540 --> 00:31:41,940
Nobody wants to see squiggly lines.

449
00:31:41,940 --> 00:31:48,460
It's not demonstrating the software in its optimum form.

450
00:31:50,260 --> 00:31:53,380
I love this situation here. It's a great situation.

451
00:31:53,620 --> 00:31:57,820
I'm very glad, very honored that you've joined me to watch this intro.

452
00:31:58,060 --> 00:32:00,160
It's another beautiful abstract.

453
00:32:00,700 --> 00:32:02,280
Stu, says Brian G.

454
00:32:02,460 --> 00:32:05,700
An abstract piece of art from the man we love so much.

455
00:32:08,960 --> 00:32:10,500
Welcome to the Computer Chronicles.

456
00:32:10,600 --> 00:32:11,580
I'm Stuart Shiffey.

457
00:32:11,680 --> 00:32:13,660
And with me today is Chelsea Sammel, an artist.

458
00:32:15,120 --> 00:32:18,260
Tony B. says that's his therapist watching on.

459
00:32:19,300 --> 00:32:24,040
Imagine if that was some kind of therapy session that we just busted in on there.

460
00:32:24,640 --> 00:32:27,300
And it was in the studio of the Computer Chronicles.

461
00:32:27,680 --> 00:32:28,280
Thanks for that tip.

462
00:32:28,280 --> 00:32:31,480
Mini Stu had lost his mind in studio.

463
00:32:31,700 --> 00:32:37,740
And they had to parachute in a therapist at the time of going to tape.

464
00:32:38,580 --> 00:32:40,800
Craig, thanks very much for that tip.

465
00:32:41,320 --> 00:32:42,880
I hope you're getting on well.

466
00:32:42,940 --> 00:32:44,600
You say pint of Smithics with a Guinness head.

467
00:32:45,060 --> 00:32:48,580
Well, there'll be no pint discrimination here today, Craig.

468
00:32:48,680 --> 00:32:50,000
But thanks very much for the tip.

469
00:32:50,060 --> 00:32:52,020
And I've got to tell you, it just actually reminded me.

470
00:32:52,380 --> 00:32:54,260
There's a can of Mini Guinea in the fridge.

471
00:32:54,340 --> 00:32:55,980
I'm going to go and get that in a minute, Craig.

472
00:32:56,380 --> 00:32:57,920
You can go into your fridge tonight.

473
00:32:58,220 --> 00:32:59,980
In fact, don't go in tonight, Craig.

474
00:33:00,620 --> 00:33:01,300
Don't go in tonight.

475
00:33:01,500 --> 00:33:03,100
There's too many drunk people out tonight.

476
00:33:03,260 --> 00:33:03,960
Fucking idiots.

477
00:33:04,460 --> 00:33:05,040
Go in the morning.

478
00:33:05,200 --> 00:33:06,520
You can go into your fridge in the morning.

479
00:33:06,800 --> 00:33:07,600
You can get out a beer.

480
00:33:07,700 --> 00:33:10,580
You can start drinking at 9 a.m. in the morning.

481
00:33:13,480 --> 00:33:15,120
No alcohol is a mere lots.

482
00:33:15,680 --> 00:33:17,120
Welcome to the Computer Chronicles.

483
00:33:17,220 --> 00:33:18,180
I'm Stuart Shiffey.

484
00:33:18,280 --> 00:33:22,060
And with me today is Chelsea Sammel, an artist who works mostly on the Macintosh.

485
00:33:22,120 --> 00:33:23,420
And Sheltie, this is not quite a Mac.

486
00:33:24,040 --> 00:33:27,580
He refers to Chelsea Sammel as Chelsea Sammel.

487
00:33:27,580 --> 00:33:32,600
Now, that is controversial in the extremist form.

488
00:33:33,520 --> 00:33:37,720
And I've wrote a book on extremism from all corners of the globe.

489
00:33:37,880 --> 00:33:39,660
Go and check it out in your local library.

490
00:33:39,760 --> 00:33:40,260
It's classic.

491
00:33:41,020 --> 00:33:45,720
But I never came across a situation like this where someone called Chelsea was referred to as Chelsea.

492
00:33:45,840 --> 00:33:49,200
Let's have a little listen there and see if that's my mind making that up.

493
00:33:49,200 --> 00:33:52,920
Today is Chelsea Sammel, an artist who works mostly on the Macintosh.

494
00:33:53,000 --> 00:33:54,280
And Sheltie, this is not quite a Mac.

495
00:33:54,620 --> 00:33:57,960
And then he has the indignity and audacity to call her Sheltie.

496
00:33:58,220 --> 00:33:59,520
Listen, he says Chelsea.

497
00:34:00,020 --> 00:34:02,840
And then, Sheltie, this is a great thing on the Macintosh.

498
00:34:03,560 --> 00:34:05,640
Looks like fucking Super Famicom.

499
00:34:07,600 --> 00:34:09,460
Here we go.

500
00:34:13,560 --> 00:34:15,960
Okay, Sheltie Sammel, an artist.

501
00:34:15,960 --> 00:34:17,820
Now he calls her Sheltie in a minute.

502
00:34:17,940 --> 00:34:18,060
Listen.

503
00:34:21,500 --> 00:34:21,980
Sheltie!

504
00:34:21,980 --> 00:34:25,980
Mac, the platform here is the Super Nintendo Entertainment System.

505
00:34:26,380 --> 00:34:26,900
And this is...

506
00:34:26,900 --> 00:34:27,920
Told you, folks.

507
00:34:28,020 --> 00:34:29,680
Super Nintendo Entertainment System.

508
00:34:29,800 --> 00:34:31,660
The newest cartridge called Mario Paint.

509
00:34:32,020 --> 00:34:32,900
And it brings...

510
00:34:32,900 --> 00:34:33,540
Mario.

511
00:34:33,940 --> 00:34:37,740
And we know that the Americans like to refer to Mario, as I call him.

512
00:34:37,820 --> 00:34:39,380
We might refer to him as Mario.

513
00:34:39,580 --> 00:34:40,520
Do you know Super Mario?

514
00:34:41,000 --> 00:34:42,880
Did you play Super Mario and Luigi?

515
00:34:43,320 --> 00:34:44,380
Over in the States.

516
00:34:44,920 --> 00:34:45,880
Super Mario.

517
00:34:46,660 --> 00:34:48,480
Mario and Luigi.

518
00:34:48,760 --> 00:34:50,380
Mario this, Mario that.

519
00:34:50,480 --> 00:34:51,260
Paper Mario.

520
00:34:51,260 --> 00:34:53,200
Super 3D Mario Land.

521
00:34:53,640 --> 00:34:55,660
Mario and Yoshi in trouble.

522
00:34:56,040 --> 00:34:59,080
What's the kind of normal paint program you might find on a Mac or a PC?

523
00:35:00,080 --> 00:35:02,300
Samba Mario 64.

524
00:35:03,260 --> 00:35:11,480
Look, and yet even more disturbing images being daubed on the fucking screen there by...

525
00:35:11,480 --> 00:35:12,520
Stew.

526
00:35:12,680 --> 00:35:14,680
Samba Stew 64.

527
00:35:15,320 --> 00:35:23,960
And I think this is the time of the show where we load up on some very, very ominous sounding drone scapes.

528
00:35:24,380 --> 00:35:25,880
While we zoom in.

529
00:35:26,340 --> 00:35:28,480
Well, we don't have the ability to zoom in, I'm afraid.

530
00:35:28,560 --> 00:35:31,440
Because I wasn't anticipating on going to C-Crans tonight.

531
00:35:31,660 --> 00:35:33,600
But we're on C-Crans tonight, guys.

532
00:35:34,680 --> 00:35:38,460
So I'm still going to play some tunes to the fucking Mario painting.

533
00:35:38,700 --> 00:35:38,980
Okay?

534
00:35:39,100 --> 00:35:41,420
You can go into your Super Famicom tonight.

535
00:35:41,660 --> 00:35:43,700
In fact, don't go into it tonight, guys.

536
00:35:43,780 --> 00:35:45,540
Too many drunk idiots out in the streets.

537
00:35:45,860 --> 00:35:52,220
You can load up Super Mario paint on your fucking Nintendo Entertainment System tomorrow.

538
00:35:53,020 --> 00:35:54,660
And you can paint some squiggles.

539
00:35:56,180 --> 00:35:57,060
Drone logic.

540
00:35:57,320 --> 00:35:58,100
Dark drone.

541
00:35:58,420 --> 00:35:59,300
Dark dronage.

542
00:36:00,000 --> 00:36:01,120
Dark drone.

543
00:36:01,220 --> 00:36:02,900
Come on, for fuck's sake.

544
00:36:03,340 --> 00:36:07,700
You'd think these things would be in the last played scenario.

545
00:36:07,880 --> 00:36:08,520
Dark drone.

546
00:36:08,680 --> 00:36:09,560
Distant voices.

547
00:36:09,740 --> 00:36:10,580
Let's have a listen to that.

548
00:36:10,660 --> 00:36:11,940
Sounds like it's a gore.

549
00:36:14,100 --> 00:36:14,960
Oh, beautiful.

550
00:36:14,960 --> 00:36:23,960
It's got some really ethereal, odd voices in the background as well.

551
00:36:24,040 --> 00:36:28,440
As we look at Stu's painting of mercy, everybody.

552
00:36:29,520 --> 00:36:32,740
Those of a nervous disposition, please lock open.

553
00:36:32,740 --> 00:36:33,140
Oh.

554
00:36:39,960 --> 00:36:43,740
Tonight at nine on Primetime Investigates.

555
00:36:44,480 --> 00:36:47,880
It was the man who squiggled too hard over in America.

556
00:36:48,120 --> 00:36:48,820
Thanks for the tip.

557
00:36:49,160 --> 00:36:53,660
The secret paintings which led investigators to a cave full of hard drives.

558
00:36:53,760 --> 00:36:55,000
Stu.

559
00:36:55,000 --> 00:36:56,940
Mario paint.

560
00:36:56,940 --> 00:37:00,220
The mind of Mario.

561
00:37:00,220 --> 00:37:03,100
Thanks very much for the tip there.

562
00:37:03,320 --> 00:37:04,280
Sigma Steve.

563
00:37:04,440 --> 00:37:05,460
I hope you're doing well.

564
00:37:05,540 --> 00:37:06,060
How you vibe?

565
00:37:06,180 --> 00:37:07,540
I had some day, I tell you.

566
00:37:07,620 --> 00:37:09,540
I only delighted your stream when I came home.

567
00:37:09,620 --> 00:37:10,060
Some man.

568
00:37:10,700 --> 00:37:12,120
Thanks very much for that, Steve.

569
00:37:12,240 --> 00:37:13,020
Sigma Steve.

570
00:37:13,780 --> 00:37:17,280
And, uh, no sex discrimination here, Steve, tonight.

571
00:37:17,780 --> 00:37:21,440
You can go into your Super Mario paint tonight if you want.

572
00:37:22,040 --> 00:37:23,260
Look at the state of this.

573
00:37:23,260 --> 00:37:30,140
Tonight at nine on Sigma Steve investigates the mind of a monster.

574
00:37:31,460 --> 00:37:40,460
Secret cave paintings led investigators on a wild goose chase back to a secret hard disk lair.

575
00:37:43,140 --> 00:37:46,840
What happened next blew our minds.

576
00:37:49,100 --> 00:37:53,360
Is cons processing, is cons possessing France?

577
00:37:53,520 --> 00:37:53,980
Is not.

578
00:37:54,580 --> 00:37:55,200
Uh, Antoinette.

579
00:37:55,340 --> 00:37:59,880
If you, if you know, if you know the reference, then you know it.

580
00:37:59,940 --> 00:38:00,780
If you don't, you don't.

581
00:38:00,860 --> 00:38:06,940
But there was a man in the audience at the Late Late Show was, uh, vindicating, trying to vindicate at least Stephen Roach.

582
00:38:07,000 --> 00:38:07,820
Thanks for the tip there.

583
00:38:08,400 --> 00:38:09,640
Mario Balotelli.

584
00:38:10,180 --> 00:38:19,940
And, uh, he was trying to vindicate Stephen Roach, I believe, as David Walsh was leveling accusations of dope, dope-inition.

585
00:38:21,120 --> 00:38:24,600
And, uh, he was giving it both barrels in the audience.

586
00:38:24,740 --> 00:38:27,800
We might have a link and go to that later on.

587
00:38:27,800 --> 00:38:33,980
But, I mean, actually, it doesn't even matter because if I show them that the stream will be out tonight, stream will get taken down by RTE.

588
00:38:34,220 --> 00:38:36,280
And that's just the fucking top and bottom of it.

589
00:38:36,700 --> 00:38:39,380
Right now, though, we're looking at Computer Chronicles.

590
00:38:42,740 --> 00:38:47,040
Tonight at nine on Sigma, Sigma Steve Investigations Unit.

591
00:38:47,660 --> 00:38:49,880
He was the man who computed too hard.

592
00:38:50,880 --> 00:39:02,520
How did one man's Mario paint daubings lead investigators on a series of twisted happenings?

593
00:39:04,020 --> 00:39:07,180
What happened with you and the Russians, Francis?

594
00:39:08,180 --> 00:39:09,020
Come on, man.

595
00:39:09,080 --> 00:39:13,400
I was looking in the chat for some material there to go along with the conceit.

596
00:39:15,180 --> 00:39:17,660
And, DGA, I- you let us down there.

597
00:39:17,720 --> 00:39:26,460
I was looking for material, like, lines I could read in the voice of a continuity announcer who was billing the upcoming fucking primetime investigates.

598
00:39:26,560 --> 00:39:29,640
But, it was just a question about what happened with the Russians.

599
00:39:29,900 --> 00:39:33,240
Look, I can't be expected to field these questions.

600
00:39:33,740 --> 00:39:38,560
If you want to know what happened with the Russians, there's the episodes there on the thing.

601
00:39:38,620 --> 00:39:39,560
You can watch them back.

602
00:39:39,960 --> 00:39:42,060
Right now, I'm in the middle of the flow here.

603
00:39:45,060 --> 00:39:52,220
Now, you're getting cheeky now in the chat, DGA, saying your own S-H-I-T-T-I-N-G fault, lad.

604
00:39:53,560 --> 00:39:55,540
I don't take kindly to that, DGA.

605
00:39:56,300 --> 00:39:59,760
You can either apologize now or you fucking gulag tonight.

606
00:40:00,640 --> 00:40:01,320
What's it to be?

607
00:40:01,680 --> 00:40:02,900
What's it to be, DGA?

608
00:40:03,780 --> 00:40:05,600
It's a bit rude coming in here.

609
00:40:06,160 --> 00:40:06,980
Not a hope.

610
00:40:07,080 --> 00:40:09,220
I'd be down watching Bose if I could.

611
00:40:09,260 --> 00:40:10,220
I won't be here tonight.

612
00:40:10,560 --> 00:40:11,920
Not in a month of Sundays.

613
00:40:12,300 --> 00:40:13,460
The sunset times.

614
00:40:13,460 --> 00:40:15,960
I accept your apology, DJ.

615
00:40:16,080 --> 00:40:16,980
Thank you very much for that.

616
00:40:17,380 --> 00:40:20,060
It's vindicated your existence.

617
00:40:21,060 --> 00:40:21,920
But for how long?

618
00:40:22,580 --> 00:40:26,000
The cheeky, the cheeky, the cheeky button has been pressed.

619
00:40:27,260 --> 00:40:28,080
Will he come back?

620
00:40:29,980 --> 00:40:32,320
Give him an inch and they might take a foot.

621
00:40:33,480 --> 00:40:34,280
No problem.

622
00:40:34,400 --> 00:40:34,820
It's okay.

623
00:40:34,940 --> 00:40:36,660
Look, it's fine, DJ.

624
00:40:36,820 --> 00:40:37,080
It's grand.

625
00:40:37,220 --> 00:40:38,260
We'll keep going now anyway.

626
00:40:39,560 --> 00:40:42,640
You've greatly enhanced your reputation is all I can say, DJ.

627
00:40:42,640 --> 00:40:44,720
Greatly enhanced his reputation.

628
00:40:45,000 --> 00:40:45,820
Sorry about that.

629
00:40:45,880 --> 00:40:46,980
Sorry for your ears.

630
00:40:47,440 --> 00:40:48,600
Look, back to Stu anyway.

631
00:40:48,740 --> 00:40:50,680
We've actually gone off course.

632
00:40:51,520 --> 00:40:53,240
Gone off script for the night there.

633
00:40:55,240 --> 00:40:56,480
Paint stuff and all that.

634
00:40:56,660 --> 00:40:57,720
It actually does more.

635
00:40:58,060 --> 00:41:03,660
I can go in here and not only paint that kind of background, but create an animation using Mario Paint.

636
00:41:03,740 --> 00:41:05,140
There's my nine frames of animation.

637
00:41:05,280 --> 00:41:06,380
Put that on the background.

638
00:41:06,820 --> 00:41:07,100
Wow.

639
00:41:07,240 --> 00:41:11,180
Also go in here and add music to my...

640
00:41:11,180 --> 00:41:11,860
Music?

641
00:41:12,480 --> 00:41:14,200
Coming up, brand new music!

642
00:41:14,600 --> 00:41:17,640
My animation and to my background using a keyboard and a staff.

643
00:41:17,980 --> 00:41:19,640
It's a neat little artistic tool for kids.

644
00:41:19,960 --> 00:41:20,720
This is for kids.

645
00:41:21,180 --> 00:41:21,180
Which you're...

646
00:41:21,180 --> 00:41:27,820
It's a neat little artistic tool for kids.

647
00:41:27,920 --> 00:41:28,880
This is for kids.

648
00:41:29,600 --> 00:41:32,280
It was a lovely little situation just at the end there.

649
00:41:32,280 --> 00:41:43,180
I wonder has the volume gone down there in my advanced audio properties.

650
00:41:43,380 --> 00:41:44,240
Are you a desktop audio?

651
00:41:44,320 --> 00:41:45,200
No, it's still cranked up.

652
00:41:45,240 --> 00:41:48,000
I need to crank it up a bit more for the Computer Chronicles.

653
00:41:48,160 --> 00:41:48,840
See, crons.

654
00:41:49,840 --> 00:41:55,880
But unfortunately, my soundboard will be redundant because the sounds are all on a fucking different level.

655
00:41:56,000 --> 00:41:56,840
So it's just...

656
00:41:57,960 --> 00:42:00,180
You see the strain I'm under here.

657
00:42:01,380 --> 00:42:04,100
It's no one else's business but my own.

658
00:42:04,160 --> 00:42:05,980
I'm making it the business of the stream.

659
00:42:06,100 --> 00:42:08,840
I need to look back at the stream and analyze it and go...

660
00:42:10,020 --> 00:42:14,500
Francis, don't be talking about the inner workings of the fucking stream.

661
00:42:14,720 --> 00:42:15,840
Nobody wants to hear about it.

662
00:42:15,860 --> 00:42:16,700
They just want to see Stu.

663
00:42:16,700 --> 00:42:18,380
They want to know what the story is with Stu.

664
00:42:19,020 --> 00:42:19,920
Thanks for the tip.

665
00:42:20,360 --> 00:42:21,780
Thanks very much for the tip there.

666
00:42:21,880 --> 00:42:22,680
Bad article.

667
00:42:22,860 --> 00:42:23,840
I hope you're getting that well.

668
00:42:24,860 --> 00:42:28,440
Mario Paint has the occult written all over it.

669
00:42:28,480 --> 00:42:30,400
Keep the head on a swivel, lad.

670
00:42:30,440 --> 00:42:31,120
You say I will do.

671
00:42:31,460 --> 00:42:33,100
And Mario Balotelli, thank you very much.

672
00:42:33,160 --> 00:42:36,040
I'm just going to get the canine out the fucking fridge while I play this.

673
00:42:36,160 --> 00:42:37,820
It's a neat little artistic tool for kids.

674
00:42:38,140 --> 00:42:38,900
This is for kids.

675
00:42:39,220 --> 00:42:41,740
What you're doing is serious artwork on the Macintosh.

676
00:42:42,100 --> 00:42:45,200
And in fact, behind you is a painting you did just using the Mac.

677
00:42:45,200 --> 00:42:47,240
And I want you to explain to me how in the world you can do that.

678
00:42:47,540 --> 00:42:53,140
Well, this is quite a revelation for me to be able to paint the way that I would on canvas on the computer.

679
00:42:53,800 --> 00:42:56,700
This was done in a software program that came out a few years ago.

680
00:42:56,780 --> 00:43:00,040
It was actually one of the first software programs to replicate natural media.

681
00:43:00,700 --> 00:43:09,640
And I painted by starting out large areas of color, filling in with an oil brush, coming back in with detail over it, just like I would have on canvas.

682
00:43:10,200 --> 00:43:11,300
Now, recently there have been quite a few...

683
00:43:11,300 --> 00:43:14,400
Well, that's... it's a lot better than Stu's painting anyway.

684
00:43:15,400 --> 00:43:18,460
Did she use the Mario Paint for that?

685
00:43:19,220 --> 00:43:23,140
Mario Paint allows you to create stunning renditions of humans.

686
00:43:23,140 --> 00:43:25,960
Just like I would have on canvas.

687
00:43:26,640 --> 00:43:29,120
I bet you just got a photograph and painted over it.

688
00:43:29,140 --> 00:43:31,140
Now, recently there have been quite a few...

689
00:43:31,140 --> 00:43:32,700
Where is she pulling these out of?

690
00:43:32,700 --> 00:43:35,900
...on computer software that allow me to take the...

691
00:43:35,900 --> 00:43:38,760
She got that from a little stew box underneath.

692
00:43:39,020 --> 00:43:39,980
...quite a bit further.

693
00:43:40,320 --> 00:43:42,500
This was done in a software program called Painter.

694
00:43:42,940 --> 00:43:46,480
And what you see here is a watercolor wash where I started with a...

695
00:43:46,480 --> 00:43:55,200
I actually started with a pencil sketch, the way that I would work on paper, put down some watercolor washes and came back in over it with chalk for a very natural look.

696
00:43:55,480 --> 00:43:55,800
Chalk!

697
00:43:56,000 --> 00:43:58,580
Okay, we're going to have you back later to explain more about how you do that.

698
00:43:58,600 --> 00:44:01,500
I bet you are Stu, the old devil dog.

699
00:44:01,600 --> 00:44:02,240
Amigas?

700
00:44:04,380 --> 00:44:04,440
Amigas?

701
00:44:04,440 --> 00:44:07,640
We're going to begin, though, with a visit to the Academy of Art College in San Francisco.

702
00:44:07,900 --> 00:44:08,180
College!

703
00:44:08,180 --> 00:44:10,000
You can major in computer art.

704
00:44:12,260 --> 00:44:13,320
Handheld suggestions.

705
00:44:13,920 --> 00:44:16,500
There wasn't even a H in that, but he said, college.

706
00:44:17,080 --> 00:44:19,240
And look at that freeze frame we've left it on as well.

707
00:44:21,040 --> 00:44:21,820
Wow, wow, wow.

708
00:44:22,180 --> 00:44:23,040
Wow, wow, wow.

709
00:44:23,520 --> 00:44:26,880
Wow, wow, wow, wow, wow, wow, wow, wow.

710
00:44:27,240 --> 00:44:28,060
Wow, wow, wow.

711
00:44:28,440 --> 00:44:30,440
Wow, wow, wow, wow, wow, wow, wow.

712
00:44:30,960 --> 00:44:32,120
Now you stew him.

713
00:44:32,560 --> 00:44:33,560
Now you don't.

714
00:44:37,120 --> 00:44:43,380
Wouldn't you just love to have, when you wake up or the next day, just sliding door and stews there.

715
00:44:44,340 --> 00:44:45,980
What would you like for breakfast?

716
00:44:46,140 --> 00:44:48,340
We have some handheld sausage devices.

717
00:44:48,340 --> 00:44:52,300
We have some computer eggs or some beans.

718
00:44:53,760 --> 00:44:56,660
Some handheld sausage egg and beans.

719
00:45:00,700 --> 00:45:04,100
This is the Academy of Art College in San Francisco.

720
00:45:05,640 --> 00:45:07,580
So you scan these two in, you scan.

721
00:45:07,900 --> 00:45:09,100
Computer beans.

722
00:45:09,700 --> 00:45:12,540
Hem, hem, ham held.

723
00:45:12,540 --> 00:45:14,360
Game beans.

724
00:45:14,560 --> 00:45:16,180
And in the clock, lifted it off.

725
00:45:16,440 --> 00:45:17,120
This is one of the.

726
00:45:17,500 --> 00:45:19,560
Then in the clock and lifted it off.

727
00:45:19,860 --> 00:45:20,200
If you.

728
00:45:20,720 --> 00:45:24,220
So you scan these two in, you scan in the clock, lifted it off.

729
00:45:25,100 --> 00:45:26,560
Look at the situation here.

730
00:45:26,560 --> 00:45:30,880
There's usually there's a nude in the center there, but there's no nude.

731
00:45:31,820 --> 00:45:34,520
It's a woman dressed in old rag gear.

732
00:45:35,260 --> 00:45:36,660
Victorian era gear.

733
00:45:37,320 --> 00:45:41,560
And then a load of arty types just sat around straddling poofies.

734
00:45:42,240 --> 00:45:45,460
And getting really into the fucking easel.

735
00:45:45,460 --> 00:45:51,380
And I can already see there on the left hand side of the screen where my cursor is there.

736
00:45:51,460 --> 00:45:51,960
You see that?

737
00:45:52,660 --> 00:45:53,140
Rubbish.

738
00:45:53,560 --> 00:45:54,980
Rubbish head shape there.

739
00:45:55,420 --> 00:45:56,320
Not great at all.

740
00:45:56,400 --> 00:45:57,240
Doesn't even look like.

741
00:45:57,260 --> 00:45:58,500
I can see the woman from here.

742
00:45:59,140 --> 00:45:59,840
That's rubbish.

743
00:45:59,940 --> 00:46:01,040
Doesn't even look like her.

744
00:46:02,720 --> 00:46:04,360
So you scan these two in.

745
00:46:04,440 --> 00:46:06,220
You scan in the clock, lifted it off.

746
00:46:06,540 --> 00:46:06,680
This.

747
00:46:06,960 --> 00:46:07,940
Clock lifter.

748
00:46:08,600 --> 00:46:10,580
This is one of the few art schools in the country.

749
00:46:11,440 --> 00:46:13,140
Resident easel.

750
00:46:14,160 --> 00:46:14,680
Chew.

751
00:46:15,580 --> 00:46:16,900
Resident evil village.

752
00:46:17,160 --> 00:46:20,440
Not really lighting the fucking fire for me tonight, to be honest.

753
00:46:21,780 --> 00:46:22,780
I don't know.

754
00:46:23,120 --> 00:46:24,520
I really don't know.

755
00:46:24,980 --> 00:46:26,000
Game beans.

756
00:46:26,400 --> 00:46:26,780
I might.

757
00:46:27,060 --> 00:46:29,160
I might play it again tomorrow.

758
00:46:29,360 --> 00:46:31,420
Maybe an earlier time during the afternoon.

759
00:46:31,560 --> 00:46:32,400
But not in the evening.

760
00:46:32,520 --> 00:46:33,940
But I mean, for fuck's sake.

761
00:46:34,180 --> 00:46:34,220
Like.

762
00:46:36,040 --> 00:46:37,660
Not tonight, lads.

763
00:46:38,060 --> 00:46:39,980
Where you can major in computer art.

764
00:46:40,340 --> 00:46:43,320
The curriculum consists of courses like computerized.

765
00:46:43,600 --> 00:46:44,540
Look at that.

766
00:46:44,880 --> 00:46:45,480
Great picture.

767
00:46:45,640 --> 00:46:46,480
Great rendition of.

768
00:46:46,480 --> 00:46:47,720
Where you can major in computer art.

769
00:46:47,940 --> 00:46:48,640
Whoever she is.

770
00:46:50,640 --> 00:46:51,760
Computer Mario.

771
00:46:54,760 --> 00:46:58,220
The curriculum consists of courses like computerized paint systems.

772
00:46:58,660 --> 00:46:59,580
Desktop design.

773
00:46:59,800 --> 00:47:01,080
And electronic photography.

774
00:47:01,620 --> 00:47:02,020
Dee Dee.

775
00:47:02,160 --> 00:47:03,520
The school teaches on the Macintosh.

776
00:47:03,580 --> 00:47:04,760
And uses software like.

777
00:47:04,760 --> 00:47:06,720
What's your man doing with that.

778
00:47:07,620 --> 00:47:08,820
What is that even?

779
00:47:09,000 --> 00:47:10,660
Is that a fucking photograph or something?

780
00:47:10,720 --> 00:47:11,820
It's not a floppy disk.

781
00:47:12,920 --> 00:47:13,560
And she's.

782
00:47:13,800 --> 00:47:15,560
Writing stuff off of a note.

783
00:47:15,640 --> 00:47:17,220
What's that hand gesture she does there?

784
00:47:17,320 --> 00:47:17,440
Look.

785
00:47:17,500 --> 00:47:17,800
See that?

786
00:47:17,920 --> 00:47:18,600
Let's go.

787
00:47:19,380 --> 00:47:20,000
Let's go.

788
00:47:20,380 --> 00:47:21,680
Deep on that one.

789
00:47:26,500 --> 00:47:27,700
It's on the Macintosh.

790
00:47:27,760 --> 00:47:28,420
See that then?

791
00:47:35,900 --> 00:47:37,860
She's calling your man a wanker, is she?

792
00:47:37,940 --> 00:47:39,640
She's calling the computer a wanker.

793
00:47:44,500 --> 00:47:45,220
Weird man.

794
00:47:45,220 --> 00:47:46,900
Something going on.

795
00:47:49,420 --> 00:47:49,740
Okay.

796
00:47:49,880 --> 00:47:50,400
That's that.

797
00:47:51,120 --> 00:47:52,220
Oh, a little bit more.

798
00:47:55,880 --> 00:48:01,640
He reaches on the Macintosh and uses software like Fractal Design Painter and Adobe Photoshop.

799
00:48:01,640 --> 00:48:04,820
The computer photography class is taught by Paul Klein.

800
00:48:04,820 --> 00:48:09,680
He used to be a traditional commercial photographer, but then the computer came along.

801
00:48:09,680 --> 00:48:16,440
I watched through the early 80s the ability of the computer to digitize the same information that I was working with.

802
00:48:16,440 --> 00:48:19,820
Computer games! Computer games!

803
00:48:19,820 --> 00:48:23,820
I became very, very attracted to it and very excited by it.

804
00:48:23,820 --> 00:48:41,500
So I proceeded to try some explorations, some of my own imagery, both commercial and art-oriented, and became very, very attracted to it, became very, very attracted to it, became very, very attracted to it.

805
00:48:42,060 --> 00:49:12,040
So I became very, very attracted to it, very excited by it. So I proceeded to try some explorations with some of my own imagery, both commercial and art-oriented, and found out what I could do electronically.

806
00:49:12,040 --> 00:49:19,620
with various photo enhancement programs would take three or four days in the dark room to complete.

807
00:49:19,620 --> 00:49:22,580
Ohhhhhhhhhhhhhhhhhhhh

808
00:49:22,580 --> 00:49:24,860
Three or four what in the where?

809
00:49:24,860 --> 00:49:25,980
to complete.

810
00:49:25,980 --> 00:49:26,720
Klein says

811
00:49:26,720 --> 00:49:30,920
programs would take three or four days in the dark room to complete.

812
00:49:30,920 --> 00:49:32,920
Four days in the dark room to...

813
00:49:32,920 --> 00:49:36,560
Four days in the dark room to...

814
00:49:36,560 --> 00:49:38,700
Four days in the dark room to...

815
00:49:38,700 --> 00:49:41,000
Four days in the dark room to complete.

816
00:49:41,000 --> 00:49:46,780
Klein says despite the abundance of high powered Macs, this is after all just an art class.

817
00:49:46,780 --> 00:49:53,940
There's no need for students to be intimidated by the technology, though some of the students are reluctant to cross that high tech barrier.

818
00:49:53,940 --> 00:49:59,260
I'd be reluctant if I was some of the students. You've got your man fucking Donnie darkroom.

819
00:49:59,260 --> 00:50:02,180
Doing shite, doing shenanigans, up to his own...

820
00:50:02,180 --> 00:50:06,120
Spooky shenanigans in a dark room. Completing stuff, is he?

821
00:50:06,120 --> 00:50:10,660
What's he completing? Clear scenario B, is he? Does he have the Gatling gun?

822
00:50:10,660 --> 00:50:13,500
Weird. Weird is all I'm gonna say.

823
00:50:13,500 --> 00:50:15,440
You can't break the computer.

824
00:50:15,440 --> 00:50:22,080
And they shouldn't worry about that. And also, uh, they're free. They're in a school environment here where they should explore.

825
00:50:22,080 --> 00:50:24,600
And experiment with all the possibilities.

826
00:50:24,600 --> 00:50:28,440
For the computer chronicles, I'm Janelle Patterson.

827
00:50:30,380 --> 00:50:45,220
Janelle Patterson's after you. Hang on a second. Wasn't there a Janelle Stelzen? The last few programs was Janelle Stelzen. Cause I was going for every time she said it, I'd be going, "Janelle Stelzen's after you."

828
00:50:45,220 --> 00:50:53,340
maybe she got hitched in between episode in the series of 1992's series of computer chronicles

829
00:50:53,340 --> 00:51:00,520
she might have got hitched or as quib stated there in the thing a deed poll scenario much like my

830
00:51:00,520 --> 00:51:06,080
blunder guff of top-knot higginaries thanks very much for the tip there stockhammer

831
00:51:06,080 --> 00:51:11,240
and a bad article is it true that dark web internet was created for stewart's most

832
00:51:11,240 --> 00:51:19,320
heinous machinations we don't know that yet and also look at that lovely trolley car emblematic of

833
00:51:19,320 --> 00:51:27,740
san francisco frisco the city on the bay where anything goes um crazy a crazy city very expensive

834
00:51:27,740 --> 00:51:36,840
i hear very expensive very hilly as well and uh this is where all this weird art academy of college

835
00:51:36,840 --> 00:51:42,960
of our stuff goes on it's strange fucking world man dark room dwellers and fucking dark wing duck

836
00:51:42,960 --> 00:51:49,880
that lad who was getting attracted to uh images and stuff and then he was spending days in the dark

837
00:51:49,880 --> 00:51:57,200
room do you remember him yeah well it's a documentary about him have a look man well look it up it's

838
00:51:57,200 --> 00:52:10,240
fucking dodge lovely graphics here and it's another superb hair scenario it really is a janelle

839
00:52:10,240 --> 00:52:20,560
special edition what's her new name janelle patterson is it for the computer chronicles i'm janelle patterson

840
00:52:21,520 --> 00:52:29,120
janelle patterson's after you good luck and i've been able to do that with this tablet i can also for

841
00:52:29,120 --> 00:52:34,160
instance do things like turn the image upside down oh this is an old one this is from the olden days of

842
00:52:34,160 --> 00:52:39,680
10th anniversary season has these little interstitials which show different bits of computer chronicles from

843
00:52:39,680 --> 00:52:48,640
the days of yore and this was one in 1982 i thought we were going to get to see a full frame image of this guy's head

844
00:52:49,440 --> 00:52:56,320
which was going to provide some minutes of enthusiasm and laughs but unfortunately we're not going to get that

845
00:52:56,320 --> 00:53:05,520
apple graphics tablet and software running on 64k apple 2 with two floppy disk drives all right

846
00:53:10,160 --> 00:53:17,120
the amiga has always been a great creative platform for music for video and for art that's it here to show

847
00:53:17,120 --> 00:53:23,520
us some whiz bang art software on the new amiga 4000 is john's bang center development and whiz bang art

848
00:53:23,520 --> 00:53:30,320
software on the new amiga 4000 is john sievers of centaur development also with oh centaur the beast

849
00:53:30,320 --> 00:53:39,840
that's just half gold half man crazy imagery satanic gorby the creator of aladdin 4d john let's creator of

850
00:53:39,840 --> 00:53:49,040
aladdin 4d start with opal development also with us greg gorby the creator of aladdin 4d aladdin 4d

851
00:53:50,000 --> 00:53:55,440
fucking weird man john let's start with opal vision which is hardware and software hardware

852
00:53:56,240 --> 00:54:02,400
handheld gaming device handheld gaming devices comes with a creator of aladdin 4d thanks for the tip john

853
00:54:02,400 --> 00:54:07,200
let's start with opal vision which is hardware and software hardware thank you very much leg fan for

854
00:54:07,200 --> 00:54:11,280
the tip software comes with a board and show us what's on the board there john all right this is the

855
00:54:11,280 --> 00:54:16,000
opal vision main board it increases the graphics capabilities of the amiga computer and gives you

856
00:54:16,000 --> 00:54:23,040
20 while color 16 million colors per pixel wow 16 million colors per pixel that's 14 bit notice the

857
00:54:23,040 --> 00:54:30,240
board has a computer and gives you 24 bit color sorry 24 bit color million colors per pixel 16 million

858
00:54:30,240 --> 00:54:36,160
colors per pixel you notice the board has expansion connectors on it where you can connect a scan rate

859
00:54:36,160 --> 00:54:42,720
converter a frame grabber genlock module uh and this sockets for a video special effects effects chip which

860
00:54:42,720 --> 00:54:47,120
gives you wonderful video effects there's also an external production switcher which connects to the

861
00:54:47,120 --> 00:54:52,960
board so this is a graphics card is this this is the original graphics card this is the early days 1992

862
00:54:53,520 --> 00:54:58,480
this is what you'd be mining bitcoin and back in 1992 when they used to do the mining back then all right

863
00:54:58,480 --> 00:55:02,240
let's turn to the software which you have up there on the amiga and show us a little bit about what you

864
00:55:02,240 --> 00:55:08,240
can do with opal vision all right this is opal paint the painting package that comes with it it's a very artist-friendly

865
00:55:08,240 --> 00:55:13,680
program uh for example this is the palette requester you can move around the color wheel here uh you

866
00:55:13,680 --> 00:55:19,920
can take individual colors and put them down over here in this section and after i've done that i can

867
00:55:19,920 --> 00:55:25,600
stir them together just as if they were wet paint you can see west page or put a wash over the top of them

868
00:55:26,480 --> 00:55:32,960
it's like adding water on it yeah um you can also load palettes that have been pre-saved on disk

869
00:55:32,960 --> 00:55:36,560
just a series of palettes you just double click on them that's nice because you don't have to remember

870
00:55:36,560 --> 00:55:41,600
file names you know artists can are visually oriented people so they would just click on that and select

871
00:55:41,600 --> 00:55:48,160
that palette um i've pre-loaded a series of screens here and i can flip through them in addition to normal

872
00:55:48,160 --> 00:55:53,760
modes like drawing you know circles and lines uh there are other modes available uh really uh

873
00:55:55,280 --> 00:56:00,480
quite a variety of them about 50 like lovely throws clear there let's let's get that again this is

874
00:56:01,200 --> 00:56:13,120
a really uh quite a variety of them about 50 like hey there's a a throw clear followed by a swallow like

875
00:56:16,880 --> 00:56:24,880
let's get that again a really uh quite a variety of them about 50 like this is an emboss mode so we can

876
00:56:24,880 --> 00:56:30,800
select that okay this is a scanned in image which you put into the machine you're manipulating and playing with it

877
00:56:30,800 --> 00:56:38,320
uh-huh so there's an emboss effect emboss undo that go back into my modes menu and select the edge

878
00:56:39,520 --> 00:56:43,440
and just hit the a key on the keyboard to do it again now it finds all the edges in the picture

879
00:56:46,480 --> 00:56:51,840
the next screen is uh here so that i can change for the tip thank you very much steph i hope you're

880
00:56:51,840 --> 00:56:57,760
getting on well there uh it's a crazy crazy world i'm just changing the category of the stream here

881
00:56:57,760 --> 00:57:03,920
just on applying a paper type to steph so i can't just read what you say for a moment but i will get

882
00:57:03,920 --> 00:57:08,160
to you step background paper thanks steph i'll load another one so you can get a better exam change the

883
00:57:08,160 --> 00:57:14,880
category and title of the stream so there's no there's no nobody's under any illusion what we're doing here

884
00:57:14,880 --> 00:57:21,760
this is pure chefie steph thanks very much you say that's a baby guinness you're on it is indeed it's a

885
00:57:21,760 --> 00:57:27,360
small can it's a hat it's rubbish i wouldn't bother my arse buying them again i tell you something you

886
00:57:27,360 --> 00:57:34,720
can go out to the shop tonight in fact go tomorrow and you can buy cans if you bought four of those you'd

887
00:57:34,720 --> 00:57:41,600
be paying nine euro do you know i'm not gonna i'm not going down that route again you as well to buy the

888
00:57:41,600 --> 00:57:48,080
four pack of full size cans for eight i think you can get that for eight and pick up that same brush and

889
00:57:48,080 --> 00:57:54,880
put it down what's he doing with mona lisa what's the story i don't even know what he's doing there

890
00:57:54,880 --> 00:58:01,200
there's a a tile paper effect i'll increase the depth a little bit and pick up that same brush and put it

891
00:58:01,200 --> 00:58:11,440
down and on the next screen um there's a series of those that have already been done again this was

892
00:58:11,440 --> 00:58:15,680
preloaded there's different paper types down here at the right here's the emboss tool we used earlier

893
00:58:18,400 --> 00:58:23,760
one of the things that's often difficult to do in 24 painting programs is to isolate an area of colors

894
00:58:24,400 --> 00:58:29,600
right have an easy way to do that you can set tolerances for hue saturation and value

895
00:58:29,600 --> 00:58:38,320
again uh what else and uh pick out a color here and now it just tends just that green portion of the

896
00:58:38,320 --> 00:58:43,600
screen how long before stew harry's and hustled the man into another segment

897
00:58:47,600 --> 00:58:49,840
try it again with a different color say again

898
00:58:53,600 --> 00:58:57,600
uh another mode that's available you notice i smeared those colors in the palette before i can also do that

899
00:58:57,600 --> 00:59:03,920
with multiple colors i can smear he's smearing the paint really effect so again you're taking that

900
00:59:03,920 --> 00:59:09,360
scanned image you're turning it into something that looks like a painting instead thanks for the tip

901
00:59:09,360 --> 00:59:15,520
he's actually doing a better job of your man's hair he's got some rubbish highlights your man look and he's

902
00:59:16,640 --> 00:59:22,320
making it better by getting rid of those yellow blonde highlights thank you very much for the tip there

903
00:59:22,320 --> 00:59:27,200
sean kiernan i hope you're getting on well sean oh that's available you notice i smeared those colors in the

904
00:59:27,200 --> 00:59:33,760
palette before i can also do that with multiple colors i can smear and give kind of a painterly effect

905
00:59:33,760 --> 00:59:38,480
so again you're taking that scanned image you're you're scanning it into something that looks like a

906
00:59:38,480 --> 00:59:45,040
painting instead painting image that would be like if you apply the entire image so just while we're just

907
00:59:45,040 --> 00:59:49,520
to get the what else can you do with opal vision what else i told you it wouldn't be long and there we

908
00:59:49,520 --> 00:59:57,440
have it what else stew's not impressed yo friends what's up it's your boy scope talk i run a gaming clip

909
00:59:57,440 --> 01:00:03,920
channel which feels primarily montages of epic gameplay clutch kills team wipes epic killstreaks

910
01:00:03,920 --> 01:00:09,120
insane kill death ratios i just want to say on behalf of the tick tock community how much you've inspired

911
01:00:09,120 --> 01:00:15,360
every person out there who is playing not just warzone but playing the game of life buddy

912
01:00:15,360 --> 01:00:17,280
clutch kills scopta

913
01:00:19,040 --> 01:00:26,160
mobile ozell yeni technology rocky peace bars in your score runner er and hern yard

914
01:00:28,720 --> 01:00:39,280
oh hee ola 30 tl 1000 tl pro bill bias francis higgins made possible in part by hewlett packard

915
01:00:39,280 --> 01:00:46,720
working with industry leaders to ensure compatibility across the board and across the network hppc you're

916
01:00:46,720 --> 01:00:59,040
looking at partnership in a whole new light well if the proof is in the pudding the pudding the power

917
01:00:59,040 --> 01:01:05,280
is really in the application oh yeah i'm a windows kind of guy on a machine i'm a windows kind of guy

918
01:01:05,280 --> 01:01:12,960
all right i'm a window kind of guy i don't like you have something called soft windows that lets me do

919
01:01:12,960 --> 01:01:18,000
that's right that's right that's off windows which does exactly that it's right windows and all right

920
01:01:18,000 --> 01:01:23,680
okay all night and all day

921
01:01:26,560 --> 01:01:32,160
sheffy sheffy it's on your power macintosh i'm a windows kind of guy it's a pure piece of software you

922
01:01:32,160 --> 01:01:35,760
don't need to put plug in any cards or anything like that putting it's like a normal app so let me show

923
01:01:35,760 --> 01:01:42,480
you it's a pure it's a pure piece of software you don't need to boot apps here we have the soft

924
01:01:42,480 --> 01:01:47,520
windows icon i'm a windows kind of double click on it and it'll start up all right the first thing

925
01:01:47,520 --> 01:01:54,320
it'll do is go into a dos is francis live now asked john d in the chat i'm afraid i'm not live john

926
01:01:54,320 --> 01:02:00,800
this is a pre-recording of me answering your question from a time before you even knew this existed screen

927
01:02:00,800 --> 01:02:06,320
dos screen dos screen dos screen dos screen dos screen so we're loading dos in our power mac indeed we

928
01:02:06,320 --> 01:02:10,240
are all right and a lot of people still run dos programs and i won't demonstrate dos except to the

929
01:02:10,240 --> 01:02:14,240
extent that you can see it running on the screen there all right i'll just type win all right which

930
01:02:14,240 --> 01:02:20,560
is the usual way to start windows and you can see the official microsoft logo there's windows on a

931
01:02:20,560 --> 01:02:28,400
power mac there is indeed all right all right what happens yeah let me ask you now has windows taken over

932
01:02:28,400 --> 01:02:33,520
my mac or can i still use my macintosh applications okay windows is not taken over your mac by any

933
01:02:33,520 --> 01:02:41,600
you stupid fools you do not realize windows has taken over your mac

934
01:02:43,920 --> 01:02:49,120
podolski stretch of the imagination your macintosh applications can still be running at the same time

935
01:02:49,680 --> 01:02:53,840
all that's happened is that the menu bar has been taken away to give you as much screen area as

936
01:02:53,840 --> 01:02:59,360
possible but the menu is just a keystroke away so i can see we're still inside the mac all right as you

937
01:02:59,360 --> 01:03:03,120
can see i'm running a number of macintosh applications at the same time all right exactly let me ask you

938
01:03:03,120 --> 01:03:07,600
that about applications i mean it's only really useful to me if i can use applications in both environments

939
01:03:07,600 --> 01:03:12,960
can i use a windows and windows can i use a macintosh application at the same time i'm a windows absolutely in fact

940
01:03:12,960 --> 01:03:39,200
a 3d rendering program and you can see that you can actually play animations through the board and 60

941
01:03:39,200 --> 01:03:44,560
colors in real time all right greg let's turn to aladdin 4d now and i guess as the name suggests

942
01:03:44,560 --> 01:03:49,440
we're moving into three-dimensional artwork now right that's right unlike the uh two-dimensional

943
01:03:49,440 --> 01:03:54,480
programs you have a full three dimensions to work in um you have your xy and your z-axis how do you do

944
01:03:54,480 --> 01:04:00,240
deal with 3d on a 2d screen well as you're looking here this is a main window into the program how do you

945
01:04:00,240 --> 01:04:06,240
how do you do deal with the information he's saying jukebox counters thanks very much for the tip

946
01:04:07,920 --> 01:04:15,680
greg gorby's in town and he's a madman for aladdin 4d how do you do do do do he says listen to this

947
01:04:15,680 --> 01:04:20,240
that's right unlike the uh two uh suggests we're moving into three-dimensional artwork now right

948
01:04:20,800 --> 01:04:26,960
that's right unlike the uh the name suggests colors in real time all right greg let's turn to aladdin 4d now

949
01:04:26,960 --> 01:04:31,680
and i guess as the name suggests we're moving into three-dimensional artwork now right that's right

950
01:04:31,680 --> 01:04:40,480
unlike the uh two-dimensional programs you this guy is electric that's right yo france it's up it's your

951
01:04:40,480 --> 01:04:45,520
boy scope talk sorry about i run a gaming clip channel which feels sorry about that guy he's

952
01:04:45,520 --> 01:04:51,600
fucking he's a header yo france it's up it's your boy scope talk not meant to come on the screen

953
01:04:53,040 --> 01:04:58,000
you have a full three dimensions to work in um you have your xy and your z axis how do you do deal with

954
01:04:58,000 --> 01:05:06,320
3d on a 2d screen how do you do do deal what is it what is it chef a deal or no deal how do you do deal is

955
01:05:07,760 --> 01:05:15,760
let's have a listen here deal with 3d on it oh i wish there was a button that skipped just to the

956
01:05:15,760 --> 01:05:24,560
like maybe half a frame instead of going frame or no not half frame but maybe 10 frames here we go how

957
01:05:24,560 --> 01:05:29,520
do you do deal it's not going to be worth it now how do you do deal with 3d on a 2d screen here well as

958
01:05:29,520 --> 01:05:34,720
you're looking here this is a main window into the program you can see your x and y and your z axes

959
01:05:34,720 --> 01:05:41,440
rotating here slowly in space i'm going to flatten out the view to draw you draw in the program in

960
01:05:42,240 --> 01:05:46,880
multi-sided polygons like so they can have any number of points we can do things after you've

961
01:05:46,880 --> 01:05:52,240
drawn basic polygons like for instance i'll extrude this into a 3d form let's rotate it a little bit

962
01:05:52,240 --> 01:05:57,920
show you what it looks like that helps you to clarify what you've done i'm going to center this to the emmy to

963
01:05:57,920 --> 01:06:04,880
the center of the original center to the emmy maybe maybe he wanted to say semi

964
01:06:05,920 --> 01:06:09,840
this into a 3d form let's rotate it a little bit show you what it looks like

965
01:06:10,800 --> 01:06:14,880
that helps you to clarify what you've done i'm going to center this to the emmy to the center

966
01:06:15,600 --> 01:06:21,840
he wants to send it as if it's an emmy award-winning piece of software is it where's the emmy is the emmy the

967
01:06:21,840 --> 01:06:26,560
center point of the screen how are you going to center it to the emmy there's no emmy there is it

968
01:06:26,560 --> 01:06:32,240
meant to be an image of an emmy award and then you center it to that is it thanks for the tip i just don't

969
01:06:32,240 --> 01:06:36,960
understand what you're on about man to the center the original that helps you to clarify what you've done

970
01:06:36,960 --> 01:06:42,560
i'm going to center this to the emmy to the center i just want to center this to the emmy guys rigatoni

971
01:06:42,560 --> 01:06:48,880
man thank you very much for the tip tell you what if you missed the other uh fat 32 stream from sunday

972
01:06:48,880 --> 01:06:56,400
night get on that prontox because there was a guy who brought on a cyber glove and steward shaffey was

973
01:06:56,400 --> 01:07:01,680
putting the glove on he was taking it off he was doing all this kind of business gloving up gloving out

974
01:07:03,280 --> 01:07:10,000
it was a weird weird situation spent two and a half hours on it on a on a program that's 25 minutes long

975
01:07:10,560 --> 01:07:16,160
the origin of the access system in the program and let's find it back out again one of the more

976
01:07:16,160 --> 01:07:21,680
exciting things is its animation capabilities so i'm going to draw another polygon here which will

977
01:07:21,680 --> 01:07:27,200
turn into a path for the extrusion to follow of course you can draw that in any shape or form that

978
01:07:27,200 --> 01:07:34,080
you want let's group these we're going to select this and turn it into a path the complexity of the

979
01:07:34,080 --> 01:07:39,360
requester here shows you gives you some hint about the amount of power available in the program right now

980
01:07:39,360 --> 01:07:45,840
we're going to ask it to go ahead and follow along that path and to rotate 360 degrees around the z-axis

981
01:07:45,840 --> 01:07:51,760
halfway through the animation and then we're going to ask the program to preview that and what a badass

982
01:07:51,760 --> 01:07:59,920
and let's say 240 frames which would be about eight seconds on video here and nothing happens and that's of

983
01:07:59,920 --> 01:08:18,240
course because I forgot to tell it that this should be looking at this path during the...

984
01:08:18,240 --> 01:08:25,040
Right, there's a little grole in there from Stu as well. So now it's following that path you created.

985
01:08:25,040 --> 01:08:28,960
And halfway through it will begin its rotation and so on. You can do other things.

986
01:08:28,960 --> 01:08:54,380
Tobes, how the bloody hell are you tonight? And thanks for the tip. If you have time tonight, can we please have a look at the Netcafé vid? Shafé at his finest. I am two, five million steps ahead of you. And I want to watch that. I really do. But I'll tell you something else. I'm very, very happy to announce that Netcafé vid, as Tobes is asking me to watch, it's not just a vid.

987
01:08:54,380 --> 01:09:22,260
There's a series. There's a series of Netcafé. And it's all there. And there might even be more than one series. And so that means that we can plunge the depths of Computer Chronicles. But also, be safe in the knowledge that there's a whole series of Netcafé. Remember when the internet was just getting going? Chat rooms, all that kind of business. Rotten.com, crazy times. Really is. And it's going to be a show about it. I can't wait to see it.

988
01:09:22,720 --> 01:09:36,260
Meanwhile, we're still in 1992. The internet is a distant fucking, not a memory, but it's out there. I think it's invented. There's talk of it. This big thing that connects all the computers together in the world. There's talk of that.

989
01:09:36,720 --> 01:09:51,340
But it's still just a kind of concept we can't get our fucking head around. So we're left with this. A man showing us how to spin a shape around a screen. Thank you very much there for the tip.

990
01:09:51,720 --> 01:10:00,400
Mr. Frank O'Berry, I hope you're getting on well. From one Gran Turismo menu music appreciator to another, keep up the amazing work you do. Thank you very much for that.

991
01:10:00,720 --> 01:10:06,400
For instance, if we altered this path in some manner, I'm going to move it like so and add a couple more points.

992
01:10:06,700 --> 01:10:09,940
And it'll adapt to those changes very readily for you.

993
01:10:10,880 --> 01:10:17,840
It's also an interactive preview, so you can zoom out or zoom in in real time. You can change your view angle, so we're going to look down from the top.

994
01:10:18,500 --> 01:10:21,480
And you can increase your wide angle effects and so on.

995
01:10:21,480 --> 01:10:21,560
What is this?

996
01:10:22,880 --> 01:10:24,140
Let's go back here.

997
01:10:24,800 --> 01:10:25,340
What is this?

998
01:10:25,340 --> 01:10:28,560
There are multiple spaces available in the program. We're in space 2 at this time.

999
01:10:28,960 --> 01:10:31,460
In space 1, I've got an object that I had preloaded.

1000
01:10:31,720 --> 01:10:35,060
And rendering time is very important to a lot of users of 3D software.

1001
01:10:35,880 --> 01:10:38,440
So although I'm not going to complete this image, I just wanted to give you a feel.

1002
01:10:38,440 --> 01:10:41,040
That's that star-shaped object you just pulled up in that other space.

1003
01:10:41,240 --> 01:10:41,720
That's right.

1004
01:10:41,900 --> 01:10:42,820
The background here.

1005
01:10:42,840 --> 01:10:48,600
Why is it taking ages to load? He's not downloading it off a fucking dial-up modem, is he?

1006
01:10:49,060 --> 01:10:52,880
Or is that just the way he's programmed that image to be displayed?

1007
01:10:53,400 --> 01:10:57,200
There's a digitized image that was brought in through a video camera of a rock.

1008
01:10:57,840 --> 01:10:59,000
That's a pretty quick rendering.

1009
01:10:59,220 --> 01:10:59,860
Thanks for the tip.

1010
01:10:59,960 --> 01:11:03,760
That doesn't look like a digitized image of a rock that was brought in through a fucking scanner.

1011
01:11:03,900 --> 01:11:05,140
Does it look like a...

1012
01:11:05,140 --> 01:11:07,500
Thanks very much for the tip there, Kowloom boys.

1013
01:11:07,860 --> 01:11:08,440
Thank you.

1014
01:11:08,740 --> 01:11:09,580
I hope you're getting on well.

1015
01:11:09,760 --> 01:11:12,680
That doesn't look like a digitized image that's scanned in.

1016
01:11:12,760 --> 01:11:14,640
It looks like it's made out of CGI.

1017
01:11:17,680 --> 01:11:20,420
Breakneck speed for 1992, Max says.

1018
01:11:20,720 --> 01:11:21,460
3D software.

1019
01:11:21,820 --> 01:11:22,600
Okay, what else can we do?

1020
01:11:22,900 --> 01:11:23,900
Okay, what else?

1021
01:11:23,960 --> 01:11:25,200
Because this is getting boring.

1022
01:11:26,140 --> 01:11:27,740
Look at the drop-down menu.

1023
01:11:27,900 --> 01:11:28,960
Project F9.

1024
01:11:29,100 --> 01:11:29,460
Redraw.

1025
01:11:29,460 --> 01:11:30,720
We got redraw frame.

1026
01:11:30,840 --> 01:11:32,420
We got save IFF.

1027
01:11:32,840 --> 01:11:34,000
We got the save anim.

1028
01:11:34,240 --> 01:11:35,000
Short for animation.

1029
01:11:35,200 --> 01:11:35,720
Dot, dot, dot.

1030
01:11:36,000 --> 01:11:37,240
Save P-draw clip.

1031
01:11:38,280 --> 01:11:39,260
Where's your P-draw?

1032
01:11:39,640 --> 01:11:40,520
Get it saved.

1033
01:11:40,780 --> 01:11:41,960
Save the 24-bit.

1034
01:11:42,200 --> 01:11:43,200
Hide unshoal.

1035
01:11:43,300 --> 01:11:44,640
Now we're into the editor.

1036
01:11:44,840 --> 01:11:47,880
It's a fast-paced cyber world we're living in.

1037
01:11:48,420 --> 01:11:50,700
Clowns back then didn't know what they were at.

1038
01:11:51,140 --> 01:11:53,060
Okay, let's go back to the editor here.

1039
01:11:53,060 --> 01:11:55,380
I'm going to create a new space here.

1040
01:11:55,600 --> 01:11:59,120
The other objects that we were working with are still available if we wanted to.

1041
01:11:59,680 --> 01:12:01,160
But we'll go ahead and work in the new space.

1042
01:12:01,260 --> 01:12:04,920
I'll draw another very simple freehand polygon here.

1043
01:12:05,000 --> 01:12:07,000
I'm going to move it away from the origin.

1044
01:12:07,580 --> 01:12:14,300
And select the Z-axis and tell it that we want to sweep 36 segments and 360 degrees around the Z-axis.

1045
01:12:14,380 --> 01:12:16,340
And go ahead and sweep this form.

1046
01:12:16,340 --> 01:12:16,840
Wow.

1047
01:12:16,840 --> 01:12:19,600
So you can see that the feedback on the program is very quick.

1048
01:12:20,340 --> 01:12:27,220
The important concept here for us is that long feedback times, long rendering times and so on, interfere with the user's creativity.

1049
01:12:27,720 --> 01:12:31,840
And so we've done our best to optimize this as much as possible for that.

1050
01:12:32,100 --> 01:12:38,780
If we were to preview an animation of this, let's say at the 240 frames as we did before,

1051
01:12:39,680 --> 01:12:46,080
let's go ahead and this time ask it to rotate the entire world 360 degrees instead of making a path.

1052
01:12:46,080 --> 01:12:46,220
Yeah.

1053
01:12:46,820 --> 01:12:48,580
You can see the feedback time is slower.

1054
01:12:48,920 --> 01:12:52,020
So we've incorporated different display modes to allow you.

1055
01:12:52,020 --> 01:12:57,120
Greg, the point in all this, I guess, would be to create a 3D logo or graphic image for television.

1056
01:12:57,120 --> 01:12:59,120
We have a video of some of the finished work.

1057
01:12:59,200 --> 01:13:02,480
If we can roll the video right now and tell us what we're seeing as we take a look at that, Greg.

1058
01:13:03,440 --> 01:13:04,340
You're looking at...

1059
01:13:04,340 --> 01:13:06,580
Simply says, what is this?

1060
01:13:06,840 --> 01:13:10,220
That chrome faucet dripping with some water effects on it.

1061
01:13:11,540 --> 01:13:12,440
Look at that.

1062
01:13:12,980 --> 01:13:19,920
Look at the image juxtaposed with the very monotone announcement of what the hell it is.

1063
01:13:19,920 --> 01:13:24,440
We've got a chrome faucet which is dripping water inside a brick well.

1064
01:13:25,500 --> 01:13:27,020
We've got a chrome faucet.

1065
01:13:29,100 --> 01:13:35,760
These are some chrome faucet dripping with some water effects on a flat polygon surface.

1066
01:13:36,040 --> 01:13:41,140
Looking at a chrome faucet dripping with some water effects on a flat polygon surface.

1067
01:13:41,400 --> 01:13:46,360
Looking at a chrome faucet dripping with some water effects on a flat polygon surface.

1068
01:13:46,580 --> 01:13:49,300
These are some donuts with bump maps and textures applied.

1069
01:13:49,940 --> 01:13:50,160
Wow.

1070
01:13:50,360 --> 01:13:51,100
Just different images.

1071
01:13:51,240 --> 01:13:55,280
Now, these were all put out to a single frame recorder through different hardware.

1072
01:13:55,620 --> 01:13:56,200
For instance, Spark.

1073
01:13:56,220 --> 01:13:58,340
Look at the state of some of these images, man.

1074
01:13:58,960 --> 01:14:01,060
They thought this was amazing back in the day.

1075
01:14:02,140 --> 01:14:09,500
Which reminds me of being not able to access these things because it never had an Amiga for one.

1076
01:14:10,300 --> 01:14:20,060
It just reminds me of floppy disks and games consoles were better crack.

1077
01:14:20,320 --> 01:14:21,200
That's all it is.

1078
01:14:22,200 --> 01:14:24,280
All put out to a single frame.

1079
01:14:24,280 --> 01:14:25,420
Some textures applied.

1080
01:14:26,220 --> 01:14:27,220
Just different images.

1081
01:14:27,400 --> 01:14:31,320
Now, these were all put out to a single frame recorder through different hardware.

1082
01:14:31,600 --> 01:14:35,960
For instance, Firecracker, DC TV, and Opal Vision for the Amiga.

1083
01:14:38,300 --> 01:14:39,300
Gas.

1084
01:14:40,340 --> 01:14:41,280
You're gas.

1085
01:14:41,560 --> 01:14:45,520
That class gas application you've got is gas.

1086
01:14:46,240 --> 01:14:47,040
Gas.

1087
01:14:48,080 --> 01:14:48,820
Gas.

1088
01:14:54,900 --> 01:14:55,780
Gas.

1089
01:14:56,780 --> 01:14:57,500
Gas.

1090
01:14:58,420 --> 01:14:59,100
Gas.

1091
01:15:00,000 --> 01:15:00,700
Gas.

1092
01:15:02,940 --> 01:15:04,720
I keep veering off there.

1093
01:15:05,600 --> 01:15:07,400
Fucking Dame Vera Lynch.

1094
01:15:07,400 --> 01:15:13,700
Gas.

1095
01:15:13,700 --> 01:15:13,800
Gas.

1096
01:15:15,500 --> 01:15:15,900
Gas.

1097
01:15:17,000 --> 01:15:17,400
Gas.

1098
01:15:18,500 --> 01:15:18,900
Gas.

1099
01:15:19,900 --> 01:15:20,300
Gas.

1100
01:15:21,420 --> 01:15:22,360
Sorry about that.

1101
01:15:24,720 --> 01:15:27,780
Thanks for the tip.

1102
01:15:27,780 --> 01:15:31,960
an awful lot for in-house industrial uses and educational purposes at small universities and so on.

1103
01:15:31,960 --> 01:15:33,420
Thanks for the tip there, Brian.

1104
01:15:33,580 --> 01:15:35,140
All right, great stuff, Greg. Thank you very much.

1105
01:15:35,620 --> 01:15:37,420
Brian Coney, thank you very much.

1106
01:15:37,500 --> 01:15:39,260
So you, John, for short purposes at small...

1107
01:15:39,260 --> 01:15:45,460
Also used an awful lot for in-house industrial uses and educational purposes at small universities and so on.

1108
01:15:45,860 --> 01:15:47,480
All right, great stuff, Greg. Thank you very much.

1109
01:15:47,540 --> 01:15:49,260
And also you, John, for showing us Opal Vision.

1110
01:15:49,580 --> 01:15:53,340
The Macintosh is also a popular platform for creative artists who...

1111
01:15:53,340 --> 01:15:55,720
The face change is what gets me the most.

1112
01:15:55,720 --> 01:15:57,640
Look at the pleasantry.

1113
01:15:57,880 --> 01:15:58,860
And then into serious.

1114
01:15:58,860 --> 01:16:01,960
We've seen it so many times because I forced it into you.

1115
01:16:02,160 --> 01:16:02,780
Look at this.

1116
01:16:05,580 --> 01:16:07,860
The Macintosh is also a popular...

1117
01:16:07,860 --> 01:16:09,080
Stuff, Greg. Thank you very much.

1118
01:16:09,140 --> 01:16:10,860
And also you, John, for showing us Opal Vision.

1119
01:16:11,200 --> 01:16:17,620
The Macintosh is also a popular platform for creative artists who use the Mac not only to create the usual kind of visual arts,

1120
01:16:17,900 --> 01:16:21,160
but he used the power of the computer to create what is called...

1121
01:16:21,160 --> 01:16:22,460
The power of the computer?

1122
01:16:23,420 --> 01:16:24,300
Computer games.

1123
01:16:24,820 --> 01:16:26,880
Oh, sorry that blew your ears out.

1124
01:16:26,880 --> 01:16:38,900
I wonder shall I take this moment to change the levels of the fucking soundboard, which would take nigh on 60 seconds for me to do.

1125
01:16:39,560 --> 01:16:40,600
Shall I do that, folks?

1126
01:16:41,180 --> 01:16:42,820
Maybe I'll just keep talking while I'm doing it.

1127
01:16:43,000 --> 01:16:44,360
You don't even know I'm at it.

1128
01:16:46,580 --> 01:16:47,520
Computer games.

1129
01:16:47,920 --> 01:16:48,540
That's perfect.

1130
01:16:48,740 --> 01:16:50,100
So we need them to be at that level.

1131
01:16:50,920 --> 01:16:51,540
You're not a killer.

1132
01:16:52,260 --> 01:16:52,860
You're not a killer.

1133
01:16:53,060 --> 01:16:53,500
No, I'm not.

1134
01:16:53,760 --> 01:16:54,340
No, I'm not.

1135
01:16:54,880 --> 01:16:55,460
You're not a killer.

1136
01:16:55,660 --> 01:16:56,140
No, I'm not.

1137
01:16:56,580 --> 01:16:57,480
Okay, there we go.

1138
01:16:57,560 --> 01:16:58,460
That one there.

1139
01:16:58,840 --> 01:17:00,100
We've got Game Boy here.

1140
01:17:00,880 --> 01:17:01,440
Game Boy.

1141
01:17:01,940 --> 01:17:02,580
Great stuff.

1142
01:17:02,640 --> 01:17:04,220
We've got another Game Boy there.

1143
01:17:04,720 --> 01:17:05,380
Game Boy.

1144
01:17:06,100 --> 01:17:07,100
And we've got...

1145
01:17:07,100 --> 01:17:08,260
That's all we need.

1146
01:17:08,380 --> 01:17:10,220
We've got a rhetoric smotherer as well.

1147
01:17:10,300 --> 01:17:11,500
We might throw him into the mix.

1148
01:17:12,000 --> 01:17:14,000
Your rhetoric will smother you if you're not careful.

1149
01:17:14,580 --> 01:17:17,140
And we've got a handheld gaming devices.

1150
01:17:17,820 --> 01:17:19,120
Handheld gaming devices.

1151
01:17:19,620 --> 01:17:21,620
Beautiful stuff.

1152
01:17:21,760 --> 01:17:22,740
Beautiful stuff.

1153
01:17:23,820 --> 01:17:25,300
That's us back on track, guys.

1154
01:17:26,180 --> 01:17:27,360
Soundboard, good to go.

1155
01:17:27,680 --> 01:17:28,720
Everything's good to go.

1156
01:17:30,100 --> 01:17:33,840
One such artist is Jim Lutke of San Francisco.

1157
01:17:34,600 --> 01:17:36,220
Hey, he is a lucky guy.

1158
01:17:36,320 --> 01:17:37,240
You can also click.

1159
01:17:37,400 --> 01:17:39,100
And this is the beginning of the...

1160
01:17:39,680 --> 01:17:40,580
What's the story?

1161
01:17:40,680 --> 01:17:41,580
They're fucking mad.

1162
01:17:42,260 --> 01:17:44,280
They're mad into faucets, aren't they?

1163
01:17:45,040 --> 01:17:46,180
Rendering faucets.

1164
01:17:46,840 --> 01:17:48,300
So then you can just go like this.

1165
01:17:48,640 --> 01:17:48,980
Bam.

1166
01:17:49,280 --> 01:17:51,480
Zooms into the fucking faucet.

1167
01:17:51,800 --> 01:17:52,320
Fawcet.

1168
01:17:52,640 --> 01:17:52,920
Click.

1169
01:17:53,020 --> 01:17:54,660
And this is the beginning of the...

1170
01:17:54,660 --> 01:17:54,840
Wow.

1171
01:17:55,180 --> 01:17:55,700
Look at that.

1172
01:17:56,020 --> 01:17:57,960
You really hit that fucking mouse hard.

1173
01:17:57,960 --> 01:18:01,200
That mouse click was a real fucking mother clicker.

1174
01:18:01,660 --> 01:18:02,960
You know, being able to explore...

1175
01:18:03,480 --> 01:18:06,400
Jim Lutke used to be an airbrush illustrator from magazines.

1176
01:18:06,960 --> 01:18:09,700
When the Macintosh first came out, he thought it was just...

1177
01:18:09,700 --> 01:18:11,100
See that swag then?

1178
01:18:12,360 --> 01:18:13,060
Bloody hell.

1179
01:18:13,480 --> 01:18:14,320
Swag bag.

1180
01:18:16,560 --> 01:18:17,960
So look at this now.

1181
01:18:18,000 --> 01:18:18,660
Thanks for the tip.

1182
01:18:20,280 --> 01:18:22,080
Oh, thank you very much there for the tip.

1183
01:18:22,180 --> 01:18:22,260
Sorry.

1184
01:18:22,420 --> 01:18:23,720
Water of the coconut.

1185
01:18:23,960 --> 01:18:24,820
Thank you very much.

1186
01:18:24,820 --> 01:18:25,820
Try the...

1187
01:18:25,820 --> 01:18:26,820
Omen soundtrack.

1188
01:18:27,500 --> 01:18:28,480
Shafee is the name of the beast.

1189
01:18:28,520 --> 01:18:29,060
Thank you very much.

1190
01:18:29,140 --> 01:18:30,340
And gas as well.

1191
01:18:30,400 --> 01:18:31,660
Thanks very much for the tip there.

1192
01:18:34,040 --> 01:18:35,200
Let me see now.

1193
01:18:39,440 --> 01:18:41,120
Might get fucking taken down here.

1194
01:18:41,200 --> 01:18:41,540
But anyway.

1195
01:18:42,920 --> 01:18:44,460
We need some swag bag music.

1196
01:18:44,460 --> 01:18:47,040
We need some swag bag music.

1197
01:18:47,040 --> 01:19:17,020
Thank you.

1198
01:19:17,020 --> 01:19:47,000
Thank you.

1199
01:19:47,000 --> 01:19:49,000
Thank you.

1200
01:19:49,000 --> 01:19:51,000
Thank you.

1201
01:19:51,000 --> 01:19:53,000
Thank you.

1202
01:19:53,000 --> 01:19:55,000
Thank you.

1203
01:19:55,000 --> 01:19:57,000
Thank you.

1204
01:19:57,000 --> 01:19:59,000
Thank you.

1205
01:19:59,000 --> 01:19:59,000
Thank you.

1206
01:19:59,000 --> 01:19:59,000
Thank you.

1207
01:19:59,000 --> 01:19:59,000
Thank you.

1208
01:19:59,000 --> 01:20:01,000
Thank you.

1209
01:20:01,000 --> 01:20:03,000
Thank you.

1210
01:20:03,000 --> 01:20:03,000
Thank you.

1211
01:20:03,000 --> 01:20:05,000
Thank you.

1212
01:20:05,000 --> 01:20:07,000
Thank you.

1213
01:20:07,000 --> 01:20:09,000
Thank you.

1214
01:20:09,000 --> 01:20:09,000
Thank you.

1215
01:20:09,000 --> 01:20:11,000
Thank you.

1216
01:20:11,000 --> 01:20:13,000
Thank you.

1217
01:20:13,000 --> 01:20:15,000
Thank you.

1218
01:20:15,000 --> 01:20:17,000
Thank you.

1219
01:20:17,000 --> 01:20:19,000
Thank you.

1220
01:20:19,000 --> 01:20:21,000
Thank you.

1221
01:20:21,000 --> 01:20:23,000
Thank you.

1222
01:20:23,000 --> 01:20:25,000
Thank you.

1223
01:20:25,000 --> 01:20:27,000
Thank you.

1224
01:20:27,000 --> 01:20:29,000
Thank you.

1225
01:20:29,000 --> 01:20:31,000
Thank you.

1226
01:20:31,000 --> 01:20:33,000
Thank you.

1227
01:20:33,000 --> 01:20:35,000
Thank you.

1228
01:20:35,000 --> 01:20:37,000
Thank you.

1229
01:20:37,000 --> 01:20:39,000
Thank you.

1230
01:20:39,000 --> 01:20:41,000
Thank you.

1231
01:20:41,000 --> 01:20:43,000
Thank you.

1232
01:20:43,000 --> 01:20:45,000
Thank you.

1233
01:20:45,000 --> 01:20:47,000
Thank you.

1234
01:20:47,000 --> 01:21:16,980
Thank you.

1235
01:21:16,980 --> 01:21:23,980
*BOOM*

1236
01:21:23,980 --> 01:21:26,980
Lock that door so the guards come in. How are you getting on? Sorry.

1237
01:21:26,980 --> 01:21:31,980
Now, let's get back to this eyeball with wings.

1238
01:21:31,980 --> 01:21:32,980
This is one of Lucky's-

1239
01:21:32,980 --> 01:21:38,980
Maybe it should have- if we gave the eyeball a cane and then we put the OG music on it would be good, but fuck it.

1240
01:21:38,980 --> 01:21:43,980
Yeah, it's got a very Brendan O'Carroll's hot milk and pepper vibe to it.

1241
01:21:43,980 --> 01:21:49,980
Who knows? Maybe this is the eyeball from hot milk and pepper cup.

1242
01:21:49,980 --> 01:21:52,980
Computer Art Creations: The Freak Show.

1243
01:21:52,980 --> 01:21:55,980
Thanks for the tip.

1244
01:21:55,980 --> 01:21:57,980
Max, thanks very much Max for Shrepa.

1245
01:21:57,980 --> 01:22:00,980
With the work that I'm doing now in Freak Show, I'm trying deliberately to-

1246
01:22:00,980 --> 01:22:08,980
Right now in Freak Show, I'm trying to deliberately freak the audience out with some cybernetic madcap graphics.

1247
01:22:08,980 --> 01:22:12,980
Create a sense of mood and a sense of place and time.

1248
01:22:12,980 --> 01:22:19,980
Sense of mood and sense of place and time. Would the mood be rubbish? And would the place and time be 1992 perhaps?

1249
01:22:19,980 --> 01:22:30,980
And, uh, characters exist within specific worlds and I want that world to reflect a type of a personality or a type of a character.

1250
01:22:30,980 --> 01:22:45,980
Yeah, I don't want to know who fucking makes this sort of stuff. This is the sort of stuff I see and I feel sorry for the people that are involved in it. And also, Hot Milk and Pepper. The stuff of nightmares.

1251
01:22:45,980 --> 01:22:52,980
And there we have Mona Lisa after she went mad on the pies.

1252
01:22:52,980 --> 01:22:59,980
It's a crazy bit of Freak Show business. And that's the name of the Freak Show. The name of the clip is called Freak Show. Sorry, it's not- I'm not saying that she's a Freak Show.

1253
01:22:59,980 --> 01:23:08,980
The- Whoa, look at that Jabba the- Jabba the Lisa. Look at this. Can slow that down and then he goes back into normal Mona Lisa.

1254
01:23:08,980 --> 01:23:10,980
To the two of you, yeah.

1255
01:23:10,980 --> 01:23:12,980
Sorry.

1256
01:23:12,980 --> 01:23:30,980
What the hell happened there? And why- why was her face? A face effectively changed to a different face. That wasn't like a computer- a CGI thing that made her fatter. It just- it put a different face on there.

1257
01:23:30,980 --> 01:23:45,980
On there. And let me just see here what we've got going on. I can't- people are asking for the omen music, but the omen music will only result in a- just a bad buzz happening. The stream will probably get taken down.

1258
01:23:46,980 --> 01:23:56,980
Um, how do you not fucking- I- you can't see what the- the songs that you've played in a- what was the last- oh yeah. Can we go back?

1259
01:23:56,980 --> 01:24:05,980
Biatch! No, it's not that sorry. That was the wrong one. Snoop Dogg there saying biatch. Uh-

1260
01:24:05,980 --> 01:24:13,980
Biatch. Uh- oh yeah. I have it here now. Halloween, uh, distant voices. Here we go.

1261
01:24:13,980 --> 01:24:14,980
Biatch. Here we go.

1262
01:24:21,980 --> 01:24:23,980
Is it loud or not? Oh yeah.

1263
01:24:35,980 --> 01:24:38,340
This is your mind on drugs.

1264
01:24:46,400 --> 01:24:48,240
Wow, that's three chins.

1265
01:24:53,520 --> 01:24:54,460
We've seen it.

1266
01:24:54,580 --> 01:24:56,580
We know what it's all about.

1267
01:25:02,100 --> 01:25:03,100
Sorry about that.

1268
01:25:04,320 --> 01:25:04,880
Sorry.

1269
01:25:04,880 --> 01:25:07,620
Wait, what's the hair about?

1270
01:25:08,040 --> 01:25:10,820
This is why I say he's put a different image there,

1271
01:25:10,840 --> 01:25:12,240
because the hair is all weird.

1272
01:25:12,400 --> 01:25:13,820
Exciting things that a tool can do.

1273
01:25:14,840 --> 01:25:15,740
A tool can do.

1274
01:25:15,820 --> 01:25:16,660
The toolbox.

1275
01:25:17,240 --> 01:25:19,060
The process starts with a sketch of characters.

1276
01:25:19,740 --> 01:25:22,460
It's a real slick scenario.

1277
01:25:22,660 --> 01:25:27,060
I can only hope to reach that level of slick soon enough.

1278
01:25:27,720 --> 01:25:28,160
Characters.

1279
01:25:28,360 --> 01:25:30,240
Then they're built into 3D models.

1280
01:25:31,060 --> 01:25:32,320
He's double monitoring.

1281
01:25:32,320 --> 01:25:34,320
The sketch of characters.

1282
01:25:34,840 --> 01:25:36,480
Then they're built into 3D models.

1283
01:25:37,000 --> 01:25:38,420
He keeps a clean desktop.

1284
01:25:39,460 --> 01:25:40,220
In fairness.

1285
01:25:41,140 --> 01:25:43,540
He's got a numerical keypad there as well.

1286
01:25:44,340 --> 01:25:48,140
He's got his main frame there and a main frame part there.

1287
01:25:50,200 --> 01:25:51,780
A little coffee cup holder.

1288
01:25:51,780 --> 01:25:51,780
A little coffee cup holder.

1289
01:25:51,780 --> 01:25:54,080
A fucking coaster or whatever it is there.

1290
01:25:54,080 --> 01:25:57,020
A blue, old blue mouse pad.

1291
01:25:57,160 --> 01:25:58,360
Some shine underneath it.

1292
01:25:58,360 --> 01:25:59,300
A fucking...

1293
01:25:59,300 --> 01:26:03,060
A notepad underneath the mouse pad.

1294
01:26:03,060 --> 01:26:09,160
but the real creativity becomes evident once the artist starts playing with the characters in their environment.

1295
01:26:10,040 --> 01:26:14,420
One thing that I think is really important to have in this kind of work is a really fast renderer.

1296
01:26:14,760 --> 01:26:17,220
That's one reason he's electric image. It's very quick.

1297
01:26:17,720 --> 01:26:19,440
This artist's work ranges...

1298
01:26:19,440 --> 01:26:25,880
Look, this is it. He must have done the graphics, or at least the graphics person who did the graphics for Hot Milk and Pepper.

1299
01:26:26,620 --> 01:26:29,060
Took a little leaf out of Nick Knight's book.

1300
01:26:31,420 --> 01:26:36,740
From the far out to the commercial, like these animated graphics for the Nickelodeon cable channel.

1301
01:26:37,360 --> 01:26:43,600
Lutke says the computer has opened up a whole new world of creativity, which in some ways is better than the real world.

1302
01:26:45,040 --> 01:26:47,020
This is better than the real world. Look.

1303
01:26:49,140 --> 01:26:55,680
Great fun. Amazing technology.

1304
01:26:58,380 --> 01:27:06,300
I found some of the tools that are arriving only now on the Mac are very stimulating to creativity.

1305
01:27:06,560 --> 01:27:13,020
That they're actually allowing you to do more than you could do in the physical world.

1306
01:27:13,900 --> 01:27:16,540
For the Computer Chronicles, I'm Jonel Patterson.

1307
01:27:16,540 --> 01:27:19,540
It's a pair of old lips. A pair of lips inside a...

1308
01:27:19,540 --> 01:27:22,240
A cave or something.

1309
01:27:23,640 --> 01:27:26,540
Weird stuff altogether from the Computer Chronicles' Nick.

1310
01:27:26,540 --> 01:27:27,140
For the Computer Chronicles. Nick Knight.

1311
01:27:27,140 --> 01:27:29,040
More stimulating to creativity.

1312
01:27:29,360 --> 01:27:35,840
That they're actually allowing you to do more than you could do in the physical world.

1313
01:27:37,300 --> 01:27:38,220
Kindler's lips.

1314
01:27:38,220 --> 01:27:41,780
For the Computer Chronicles, I'm Jonel Patterson.

1315
01:27:44,520 --> 01:27:47,440
Lips plus arch equals yes.

1316
01:27:50,440 --> 01:27:52,600
Questions? Comments?

1317
01:27:53,360 --> 01:27:56,200
Log on to our forum on CompuServe dot...

1318
01:27:57,400 --> 01:27:57,820
What?

1319
01:27:59,740 --> 01:28:00,360
CompuServe...

1320
01:28:00,360 --> 01:28:01,880
Go Chronicles.

1321
01:28:02,000 --> 01:28:03,500
Oh, it's not a web address.

1322
01:28:04,400 --> 01:28:06,680
For help on how to log on.

1323
01:28:06,740 --> 01:28:08,280
1-800-5-2...

1324
01:28:08,280 --> 01:28:09,200
It's good lead, lad.

1325
01:28:09,660 --> 01:28:10,080
I'll tell you.

1326
01:28:10,320 --> 01:28:12,020
No sex discrimination tonight, lad.

1327
01:28:12,020 --> 01:28:13,180
It's 10 to 11, lad.

1328
01:28:15,940 --> 01:28:18,300
So, what if you own an IBM Compatible?

1329
01:28:18,300 --> 01:28:18,900
Can you do...

1330
01:28:18,900 --> 01:28:21,360
Compatible?

1331
01:28:21,500 --> 01:28:22,040
There are two?

1332
01:28:22,260 --> 01:28:25,140
Well, these days you can, using powerful and creative software,

1333
01:28:25,480 --> 01:28:27,960
like CorelDraw and Painter from Fractal Design.

1334
01:28:28,320 --> 01:28:31,700
Here to show us both programs are Robert Lenvey of Corel Corporation,

1335
01:28:31,840 --> 01:28:34,360
and back with us, Chelsea Sammel, a freelance artist.

1336
01:28:35,080 --> 01:28:35,480
Chelsea.

1337
01:28:36,020 --> 01:28:36,860
Chelsea Hotel.

1338
01:28:37,740 --> 01:28:39,540
And look at this guy, the lip licker.

1339
01:28:40,080 --> 01:28:42,520
Three-dimensional lip licking going on there.

1340
01:28:43,480 --> 01:28:44,440
Why does that happen?

1341
01:28:44,520 --> 01:28:45,100
Look at the tongue.

1342
01:28:45,200 --> 01:28:49,960
A little slip of the tongue there when the name Chelsea is uttered.

1343
01:28:50,600 --> 01:28:52,160
Wish we could zoom in there, guys.

1344
01:28:52,240 --> 01:28:54,460
I don't know how good your resolution is there,

1345
01:28:54,540 --> 01:28:58,280
but we've got a little bit of a Schindler's Lips scenario going on there.

1346
01:29:01,820 --> 01:29:06,080
And Robert Lenvey of Corel Corporation, and back with us, Chelsea Sammel.

1347
01:29:07,200 --> 01:29:14,360
to see is it a freelance artist and illustrator Robert let's turn to the Windows version you have

1348
01:29:14,360 --> 01:29:22,620
here which is it is Elaine from Seinfeld guys Elaine Bennis from Seinfeld and Mad Max lip

1349
01:29:22,620 --> 01:29:31,760
licker the third in denim shirt and gold Rolex watch and wedding band the fifth and illustrator

1350
01:29:31,760 --> 01:29:36,740
Robert let's turn to the Windows version you have here which is which is Corel Draw

1351
01:29:36,740 --> 01:29:44,480
and show us what you can do here on a PC compatible Corel Draw is really a complete business and look at

1352
01:29:44,480 --> 01:29:52,160
this Robert Lenvai is the Corel Corporation's mouthpiece for this segment this graphics toolkit

1353
01:29:52,160 --> 01:29:57,320
we're going to focus on the vector side of Corel Draw first which is a Corel Draw itself now wait a

1354
01:29:57,320 --> 01:30:01,880
minute when you say vector side what do you mean what yeah what is a fucking vector actually because

1355
01:30:01,880 --> 01:30:11,600
I'm familiar now with jpegs pngs I fucking dabbled in a little bit of a bitmap every now and again in the

1356
01:30:11,620 --> 01:30:19,360
past but what the fuck is a vector because I hear this being floated around the gaff willy nilly let's

1357
01:30:19,360 --> 01:30:24,880
find out vector means is that we work with smooth lines and curves as opposed to just pixels okay so

1358
01:30:24,880 --> 01:30:29,740
that when you stretch them they stay they stay smooth and they can be scaled to virtually any size so let

1359
01:30:29,740 --> 01:30:32,900
No, I don't have a clue what that means.

1360
01:30:32,900 --> 01:30:36,100
Up here on the screen, I'm going to show you a couple of program special effects.

1361
01:30:36,100 --> 01:30:38,660
We'll start by applying a little bit of color here.

1362
01:30:38,660 --> 01:30:42,120
And we've got four powerful effects including enveloping which allows me to take a piece

1363
01:30:42,120 --> 01:30:44,180
of text and stretch it like it's silly putty.

1364
01:30:44,180 --> 01:30:45,180
Putty.

1365
01:30:45,180 --> 01:30:46,180
Putty.

1366
01:30:46,180 --> 01:30:48,180
Putty from Seinfeld.

1367
01:30:48,180 --> 01:30:49,920
Always just clear that.

1368
01:30:49,920 --> 01:30:55,300
And we can even apply a perspective and I'm just going to select the two control points

1369
01:30:55,300 --> 01:30:56,300
here and stretch that.

1370
01:30:56,300 --> 01:30:57,300
What else?

1371
01:30:57,300 --> 01:31:00,580
We can simulate the perspective and this is my vanishing point which I can move around

1372
01:31:00,580 --> 01:31:02,120
on the page very quickly and easily.

1373
01:31:02,120 --> 01:31:03,120
What else?

1374
01:31:03,120 --> 01:31:04,200
Again, we'll just clear that.

1375
01:31:04,200 --> 01:31:06,640
And we'll go and we'll simulate 3D with this.

1376
01:31:06,640 --> 01:31:08,780
And what we'll do is we'll get one of our new roll-ups.

1377
01:31:08,780 --> 01:31:12,480
These are roll-up windows that actually roll up and down right here on the interface.

1378
01:31:12,480 --> 01:31:14,420
Roll-ups?

1379
01:31:14,420 --> 01:31:15,980
We don't have roll-ups anymore, do we?

1380
01:31:15,980 --> 01:31:19,820
What we'll do is we'll turn a light source on so we can actually simulate rendering like

1381
01:31:19,820 --> 01:31:22,500
you might see in a high-end CAD program.

1382
01:31:22,500 --> 01:31:24,860
And we'll just go ahead and apply that.

1383
01:31:24,860 --> 01:31:30,680
And the program will draw the text with the 3D look and the appropriate shading all in

1384
01:31:30,680 --> 01:31:31,680
place.

1385
01:31:31,680 --> 01:31:32,680
Very powerful.

1386
01:31:32,680 --> 01:31:39,140
Now we can even go and rotate that in full 3D space both along the X, Y, and the Z axes.

1387
01:31:39,140 --> 01:31:41,960
You're not a killer.

1388
01:31:41,960 --> 01:31:42,960
No.

1389
01:31:42,960 --> 01:31:43,960
You're not a killer.

1390
01:31:43,960 --> 01:31:44,960
No.

1391
01:31:44,960 --> 01:31:45,960
You're not a killer.

1392
01:31:45,960 --> 01:31:46,960
No, I'm not.

1393
01:31:46,960 --> 01:31:49,960
Now that's just a couple of special effects that the program can do.

1394
01:31:49,960 --> 01:31:55,160
I'm going to show you now Corel PhotoPaint which is again one of the four complete graphic applications

1395
01:31:55,160 --> 01:31:55,960
that come with Corel Draw.

1396
01:31:55,960 --> 01:31:59,960
And PhotoPaint is a full photo retouching and bitmap program.

1397
01:31:59,960 --> 01:32:02,780
And also take care of the bitmap side of graphics as well.

1398
01:32:02,780 --> 01:32:04,780
And what I'm going to do is take a file here that we-

1399
01:32:04,780 --> 01:32:06,780
This is what I was talking about.

1400
01:32:06,780 --> 01:32:07,780
Bitmaps.

1401
01:32:07,780 --> 01:32:10,780
And in a little bit earlier it's a colored tiff file and we-

1402
01:32:10,780 --> 01:32:12,780
Oh it's a tiff.

1403
01:32:12,780 --> 01:32:14,780
I thought he said it was a tit file.

1404
01:32:14,780 --> 01:32:16,780
Oh god.

1405
01:32:16,780 --> 01:32:24,960
I thought we were in for a real world of replaying that little moment over and over again for 10, nigh on 20 minutes.

1406
01:32:24,960 --> 01:32:29,800
*sigh* It does sound like he's saying tit file-o.

1407
01:32:29,800 --> 01:32:34,320
Just rename the extension in the file handle dot tit.

1408
01:32:34,320 --> 01:32:37,520
Ok? Save it as a tit. Not a bitmp.

1409
01:32:37,520 --> 01:32:48,320
*laughs* Who's that lad? Who's he? Did he know he was going to be used as an image? *laughs*

1410
01:32:48,320 --> 01:32:54,320
*laughs* Who's that lad? Who's he? Did he know he was going to be used as an image? *laughs*

1411
01:32:54,320 --> 01:33:02,320
used as an image in this and was his estate made aware at the time because there could be heavy heavy lawsuit.

1412
01:33:02,320 --> 01:33:04,320
For example and... Potential.

1413
01:33:04,320 --> 01:33:09,320
Flip it horizontally. We can... Uh huh.

1414
01:33:09,320 --> 01:33:17,320
We can zoom in let's say here on his teeth. Pfft. And we can find some of the... Uh huh.

1415
01:33:17,320 --> 01:33:22,320
The filter let's say for example we decide that the teeth aren't white enough we can get...

1416
01:33:22,320 --> 01:33:28,320
They look fucking white enough to me man. Jesus Christ. If I had teeth that white I'd be fucking happy enough.

1417
01:33:28,320 --> 01:33:34,320
You don't need to be upscaling those babies. Pearls of wisdom.

1418
01:33:34,320 --> 01:33:39,320
Teeth aren't white enough. We can get uh... One of the sharpening filter.

1419
01:33:39,320 --> 01:33:45,320
We can use a tit map to upscale the tooth and make that sharper and wider.

1420
01:33:45,320 --> 01:33:50,320
And actually brighten up the teeth like that. Well he uses a tit file and now he has blinding white teeth.

1421
01:33:50,320 --> 01:33:56,320
Which... Pretty quickly and easily. Looks good. Right?

1422
01:33:56,320 --> 01:34:02,320
We can zoom back. Right. The uh... The photograph was taken against a white background. What we can do is actually go and get a tile pattern.

1423
01:34:02,320 --> 01:34:10,320
Uh huh. Kieron says love me render. Well done Kieron. And thanks very much for watching. And that's a great great great...

1424
01:34:10,320 --> 01:34:12,320
Thanks for the tit.

1425
01:34:12,320 --> 01:34:20,320
And on the situation. And Poddy Bob. Thank you very much. For your... You've sent another fucking link. So it could be another banger.

1426
01:34:20,320 --> 01:34:28,320
Uh... Let's see what we've got going on here. Uh... Poddy Bob. Soundcloud. Here we go. Mind your ears folks.

1427
01:34:28,320 --> 01:34:44,320
Oh wow. Fuckin' love it. This... This is madness. Howdy Bob. Oh yes. The nice thing about Toolbox is you can just...

1428
01:34:44,320 --> 01:35:13,320
You can just pop up the toolbox.

1429
01:35:13,320 --> 01:35:20,320
Shafi Shafi Shafi Shafi Shafi

1430
01:35:20,320 --> 01:35:25,320
A nice and all day

1431
01:35:25,320 --> 01:35:42,320
Any numbers you wanna click

1432
01:35:42,320 --> 01:35:54,320
Pop out the toolbox

1433
01:35:54,320 --> 01:35:56,320
Any numbers you wanna click

1434
01:35:56,320 --> 01:35:58,320
For the computer chronicles

1435
01:35:58,320 --> 01:35:59,320
And Janelle's Delzen

1436
01:35:59,320 --> 01:36:00,320
Delzen

1437
01:36:00,320 --> 01:36:01,320
The nice thing about toolbars

1438
01:36:01,320 --> 01:36:02,320
You can just

1439
01:36:02,320 --> 01:36:03,320
Any numbers you wanna click

1440
01:36:03,320 --> 01:36:04,320
For the computer chronicles

1441
01:36:04,320 --> 01:36:05,320
And Janelle's Delzen

1442
01:36:05,320 --> 01:36:06,320
Delzen

1443
01:36:06,320 --> 01:36:08,320
The nice thing about toolbars

1444
01:36:08,320 --> 01:36:09,320
You can just

1445
01:36:09,320 --> 01:36:10,320
Any numbers you wanna click

1446
01:36:10,320 --> 01:36:13,320
Pop off the toolbox

1447
01:36:13,320 --> 01:36:15,320
Pop off the toolbox

1448
01:36:15,320 --> 01:36:17,320
Pop off the toolbox

1449
01:36:17,320 --> 01:36:19,320
Any numbers you wanna click

1450
01:36:19,320 --> 01:36:21,320
Pop off the toolbox

1451
01:36:21,320 --> 01:36:23,320
Pop off the toolbox

1452
01:36:23,320 --> 01:36:23,980
computer fun.

1453
01:36:24,280 --> 01:36:25,380
I'm Janelle Stelzak.

1454
01:36:48,900 --> 01:36:50,060
Fucking hell.

1455
01:36:51,460 --> 01:36:52,180
Party Bob.

1456
01:36:52,180 --> 01:37:06,220
There's more.

1457
01:37:08,500 --> 01:37:09,620
There's loads more

1458
01:37:09,620 --> 01:37:10,600
Party Bob there.

1459
01:37:11,580 --> 01:37:12,800
I'll put it in the chat now.

1460
01:37:14,540 --> 01:37:16,400
What went on there was

1461
01:37:16,400 --> 01:37:18,760
a live remix

1462
01:37:18,760 --> 01:37:19,480
where he's taking

1463
01:37:19,480 --> 01:37:22,540
stuff that we've just been

1464
01:37:22,540 --> 01:37:24,440
that's just gone on

1465
01:37:24,440 --> 01:37:25,460
ten minutes ago even

1466
01:37:25,460 --> 01:37:28,580
and put it to some amazing

1467
01:37:28,580 --> 01:37:30,720
Shafé soundscape.

1468
01:37:32,600 --> 01:37:33,900
We have to put that volume

1469
01:37:33,900 --> 01:37:34,960
back up there.

1470
01:37:35,520 --> 01:37:37,700
Very quick sketch of an ocean scene

1471
01:37:37,700 --> 01:37:39,300
that I did again using the

1472
01:37:39,300 --> 01:37:40,540
cast of chalks.

1473
01:37:41,100 --> 01:37:42,480
Thanks very much for that

1474
01:37:42,480 --> 01:37:43,340
party Bob.

1475
01:37:44,040 --> 01:37:44,660
That really

1476
01:37:44,660 --> 01:37:46,740
whew.

1477
01:37:48,060 --> 01:37:49,300
That sent it up there.

1478
01:37:50,880 --> 01:37:52,000
That sent it right up.

1479
01:37:54,400 --> 01:37:55,040
That was peak.

1480
01:37:55,040 --> 01:37:56,100
Peak Shafé wave.

1481
01:37:57,200 --> 01:37:58,620
And we had all this Elvis stuff

1482
01:37:58,620 --> 01:38:00,020
going on in the background as well.

1483
01:38:00,020 --> 01:38:01,760
And we also have in the program

1484
01:38:01,760 --> 01:38:02,640
two other modules

1485
01:38:02,640 --> 01:38:04,000
one for business graphics

1486
01:38:04,000 --> 01:38:05,240
and for presentations.

1487
01:38:05,940 --> 01:38:06,200
All right.

1488
01:38:06,240 --> 01:38:07,640
Now I want to turn to you again

1489
01:38:07,640 --> 01:38:07,980
Chelsea.

1490
01:38:08,280 --> 01:38:08,820
And now Painter

1491
01:38:08,820 --> 01:38:10,780
which you're going to do also runs under windows

1492
01:38:10,780 --> 01:38:12,240
but you're going to be showing on a Macintosh.

1493
01:38:12,320 --> 01:38:13,360
You work on the Mac platform.

1494
01:38:13,520 --> 01:38:13,660
Yes.

1495
01:38:13,760 --> 01:38:14,160
Show us.

1496
01:38:14,220 --> 01:38:16,120
I want to see how you actually got to the point

1497
01:38:16,120 --> 01:38:17,600
in those great paintings you showed us

1498
01:38:17,600 --> 01:38:18,540
at the beginning of the program

1499
01:38:18,540 --> 01:38:19,720
using Painter.

1500
01:38:19,880 --> 01:38:20,200
Okay.

1501
01:38:20,580 --> 01:38:22,060
Well to begin with in Painter

1502
01:38:22,060 --> 01:38:24,280
what I would normally do

1503
01:38:24,280 --> 01:38:25,240
is just grab a pencil

1504
01:38:25,240 --> 01:38:27,140
and just begin sketching.

1505
01:38:27,140 --> 01:38:28,840
and you'll notice as I sketch

1506
01:38:28,840 --> 01:38:30,960
that it is replicating natural media

1507
01:38:30,960 --> 01:38:31,700
very beautifully.

1508
01:38:31,840 --> 01:38:32,300
It sure is.

1509
01:38:32,360 --> 01:38:33,880
It's bringing through a paper texture.

1510
01:38:33,880 --> 01:38:34,360
It sure is.

1511
01:38:34,580 --> 01:38:35,640
It's pressure sensitive

1512
01:38:35,640 --> 01:38:38,220
so you're seeing the human gesture there.

1513
01:38:39,140 --> 01:38:41,360
You can see a lot of subtlety as I draw.

1514
01:38:41,540 --> 01:38:42,900
I can get darker lines

1515
01:38:42,900 --> 01:38:43,980
just by pressing harder.

1516
01:38:44,540 --> 01:38:45,060
And now I'll

1517
01:38:45,060 --> 01:38:46,780
usually I would start this way.

1518
01:38:46,840 --> 01:38:48,180
I would start with just a pencil sketch

1519
01:38:48,180 --> 01:38:50,580
and now I'll start adding some color into it.

1520
01:38:51,660 --> 01:38:53,720
The link to PottyBob SoundCloud

1521
01:38:53,720 --> 01:38:54,580
is in the chat there.

1522
01:38:54,580 --> 01:38:55,580
Check that shit out.

1523
01:38:55,720 --> 01:38:56,360
It's fucking savage.

1524
01:38:56,360 --> 01:39:00,160
I can set my paint to be wet

1525
01:39:00,160 --> 01:39:02,560
and this might seem sort of obvious to someone

1526
01:39:02,560 --> 01:39:04,580
but if you've ever worked with watercolor

1527
01:39:04,580 --> 01:39:07,000
you know that it's a very difficult medium to control.

1528
01:39:07,660 --> 01:39:09,540
You're not out at 3am with your blow dryer

1529
01:39:09,540 --> 01:39:11,780
trying to get your painting finished anymore.

1530
01:39:12,240 --> 01:39:13,080
Painting finished?

1531
01:39:13,160 --> 01:39:13,820
It's a little game to artists.

1532
01:39:14,400 --> 01:39:15,280
A boon, is it?

1533
01:39:15,300 --> 01:39:15,320
A boon, is it?

1534
01:39:15,340 --> 01:39:16,180
It gives you a lot of control over the image.

1535
01:39:16,300 --> 01:39:17,060
We'll put a little bit of a...

1536
01:39:17,060 --> 01:39:19,240
Have you any dot boon feigles

1537
01:39:19,240 --> 01:39:21,120
going on a fucking thumb drive?

1538
01:39:21,840 --> 01:39:23,420
Danny Lafani, thank you very much.

1539
01:39:23,420 --> 01:39:25,620
Have you seen the 17 second clip of Bob Dylan saying

1540
01:39:25,620 --> 01:39:26,540
you done good boss?

1541
01:39:26,660 --> 01:39:28,520
Then knocking the fuck out the lad.

1542
01:39:28,840 --> 01:39:29,420
I haven't.

1543
01:39:29,740 --> 01:39:30,640
Sounds like a belter

1544
01:39:30,640 --> 01:39:33,260
in every sense of the word.

1545
01:39:34,340 --> 01:39:35,940
How can I play this?

1546
01:39:41,220 --> 01:39:41,620
Might I...

1547
01:39:41,620 --> 01:39:44,320
I'll have a look now in a minute, Danny.

1548
01:39:45,160 --> 01:39:46,380
Thanks very much for the tip.

1549
01:39:46,380 --> 01:39:48,220
A bruise on the pear here.

1550
01:39:49,220 --> 01:39:50,500
And add some highlights.

1551
01:39:50,920 --> 01:39:53,920
I can remove the density of the paint as well

1552
01:39:53,920 --> 01:39:56,100
as I draw just by floating in some clear water.

1553
01:39:56,640 --> 01:39:57,700
And we'll end by...

1554
01:39:57,700 --> 01:40:00,080
Creeden's clear water revival.

1555
01:40:00,160 --> 01:40:01,060
Notice the paper texture also.

1556
01:40:01,800 --> 01:40:04,520
The pigment of the paint is depositing more heavily...

1557
01:40:04,520 --> 01:40:05,640
Pigment of the paint.

1558
01:40:06,300 --> 01:40:07,340
So that would be a way

1559
01:40:07,340 --> 01:40:09,200
that I would just very quickly begin something.

1560
01:40:09,200 --> 01:40:09,720
That's gorgeous.

1561
01:40:09,880 --> 01:40:10,860
That's just real-time boom.

1562
01:40:10,960 --> 01:40:11,480
You did it, huh?

1563
01:40:11,680 --> 01:40:12,000
Boom.

1564
01:40:12,000 --> 01:40:12,400
Real-time boom.

1565
01:40:12,400 --> 01:40:13,860
You didn't mess up the kitchen table or anything.

1566
01:40:14,080 --> 01:40:14,740
That's right.

1567
01:40:15,100 --> 01:40:16,180
No mess, no fuss art.

1568
01:40:16,940 --> 01:40:18,660
This is something that I was working on earlier.

1569
01:40:18,760 --> 01:40:20,000
This is a sketch of some apples.

1570
01:40:20,380 --> 01:40:22,500
And this particular one I did in the colored pencils.

1571
01:40:22,940 --> 01:40:23,900
To continue it,

1572
01:40:23,980 --> 01:40:25,900
I might come and grab something like that.

1573
01:40:26,500 --> 01:40:27,500
Wait, do you see this?

1574
01:40:28,040 --> 01:40:31,200
It's a 17-second clip of Bob Dylan,

1575
01:40:31,800 --> 01:40:34,820
who was in the news for some shady business there recently enough.

1576
01:40:35,460 --> 01:40:37,480
Hopefully that can be cleared.

1577
01:40:38,860 --> 01:40:40,240
But anyway, other than that,

1578
01:40:40,420 --> 01:40:44,620
this is a clip from a film called Peculiar Hearts of Fire.

1579
01:40:45,460 --> 01:40:47,140
And Bob Dylan is in it.

1580
01:40:47,700 --> 01:40:50,500
And he says one line, which is,

1581
01:40:51,000 --> 01:40:52,040
You doing good, boss.

1582
01:40:52,260 --> 01:40:55,640
And then swings an absolute tender haymaker

1583
01:40:55,640 --> 01:40:58,380
and makes a lot of hay

1584
01:40:58,380 --> 01:41:00,820
while the sun is shining there.

1585
01:41:00,900 --> 01:41:02,200
Let's have a little look at this clip.

1586
01:41:02,360 --> 01:41:02,760
If we can,

1587
01:41:03,180 --> 01:41:03,980
how do we do it?

1588
01:41:04,040 --> 01:41:05,560
Copy the fucking link.

1589
01:41:05,940 --> 01:41:07,380
It's a pain in the ass,

1590
01:41:07,500 --> 01:41:08,400
this fucking thing.

1591
01:41:09,940 --> 01:41:12,840
Maybe just Google it as Bob Dylan Fake Punch.

1592
01:41:12,980 --> 01:41:13,480
Yeah, that's it.

1593
01:41:13,800 --> 01:41:15,440
Bob Dylan Fake Punch.

1594
01:41:15,440 --> 01:41:28,640
Pop up the toolbox.

1595
01:41:29,420 --> 01:41:30,220
You did good, kid.

1596
01:41:30,300 --> 01:41:31,700
Hopefully this doesn't, um,

1597
01:41:32,500 --> 01:41:33,260
get us taken down.

1598
01:41:33,320 --> 01:41:33,760
It probably will,

1599
01:41:33,820 --> 01:41:34,140
but I mean,

1600
01:41:34,220 --> 01:41:36,720
it'll probably make the video copyrighted thereafter,

1601
01:41:36,860 --> 01:41:37,360
but I mean, sure,

1602
01:41:37,400 --> 01:41:38,420
we've done enough fucking damage.

1603
01:41:41,740 --> 01:41:43,560
Watch this for a tender punch.

1604
01:41:43,680 --> 01:41:44,520
Look at the, uh,

1605
01:41:44,560 --> 01:41:46,140
the jacket that Bobby is wearing.

1606
01:41:46,300 --> 01:41:47,040
Bobby De Niro.

1607
01:41:47,600 --> 01:41:48,620
Bobby Davro.

1608
01:41:49,060 --> 01:41:50,480
Bobby Davros.

1609
01:41:50,720 --> 01:41:51,800
From Doctor Who.

1610
01:41:55,940 --> 01:41:57,220
You done good, boss.

1611
01:41:59,020 --> 01:41:59,580
Oh, hey!

1612
01:42:03,860 --> 01:42:05,180
A real swing,

1613
01:42:05,340 --> 01:42:06,940
swing bop-a-lula.

1614
01:42:07,520 --> 01:42:08,720
Swing bop-a-lula.

1615
01:42:08,900 --> 01:42:09,900
Ba-bam, bam, bam.

1616
01:42:10,400 --> 01:42:11,020
Good, boss.

1617
01:42:11,840 --> 01:42:12,140
Sorry.

1618
01:42:12,660 --> 01:42:13,120
And then the,

1619
01:42:13,120 --> 01:42:14,160
the stagger up,

1620
01:42:14,160 --> 01:42:16,020
as well as a real zinger.

1621
01:42:19,680 --> 01:42:20,800
You done good, boss.

1622
01:42:24,460 --> 01:42:26,040
It's like he's pissed.

1623
01:42:27,820 --> 01:42:29,440
You did good, boss.

1624
01:42:29,900 --> 01:42:30,800
I can't do the,

1625
01:42:30,800 --> 01:42:31,860
the voice.

1626
01:42:32,700 --> 01:42:34,160
You did good, boss.

1627
01:42:34,540 --> 01:42:37,000
I suppose his acting career never really took off.

1628
01:42:37,200 --> 01:42:37,860
In the same way,

1629
01:42:38,200 --> 01:42:38,540
um,

1630
01:42:39,040 --> 01:42:39,440
was it,

1631
01:42:39,540 --> 01:42:41,200
Bowie's acting career wasn't great.

1632
01:42:41,900 --> 01:42:42,780
I mean,

1633
01:42:42,780 --> 01:42:42,780
I mean,

1634
01:42:42,880 --> 01:42:45,660
you have to have some other sort of fucking shtick, can't you?

1635
01:42:45,660 --> 01:42:48,100
He's trying to bring his Bobby Dylan shtick into this.

1636
01:42:48,540 --> 01:42:51,840
And you can't imagine Bob Dylan fucking clocking someone anyway.

1637
01:42:57,840 --> 01:42:59,160
You done good, boss.

1638
01:43:00,540 --> 01:43:26,040
Yeah, but, boy, Nathan Havko,

1639
01:43:26,040 --> 01:43:27,500
Bowie was good in Labyrinth,

1640
01:43:27,900 --> 01:43:28,620
in a kind of,

1641
01:43:28,780 --> 01:43:31,660
how hilarious was Bowie in Labyrinth kind of way.

1642
01:43:34,180 --> 01:43:35,540
You done good, boss.

1643
01:43:35,900 --> 01:43:38,500
And I punch,

1644
01:43:39,020 --> 01:43:41,060
just like a woman.

1645
01:43:41,780 --> 01:43:43,780
And I throw a slap.

1646
01:43:44,660 --> 01:43:46,600
Just like a woman.

1647
01:43:50,120 --> 01:43:53,240
There's some funny ways to end that line with the actual lyrics,

1648
01:43:53,340 --> 01:43:54,340
but it's just fucking not.

1649
01:43:54,340 --> 01:43:54,520
Hey!

1650
01:43:57,520 --> 01:43:58,160
Asshole.

1651
01:43:59,240 --> 01:44:00,320
Are you alright?

1652
01:44:01,580 --> 01:44:01,960
Yeah, I know.

1653
01:44:02,740 --> 01:44:03,940
Look at his face there.

1654
01:44:09,940 --> 01:44:10,800
You done good, boss.

1655
01:44:12,620 --> 01:44:13,060
Hey!

1656
01:44:16,400 --> 01:44:16,840
Asshole.

1657
01:44:17,880 --> 01:44:18,980
Are you alright?

1658
01:44:22,360 --> 01:44:23,600
Fucking patchwork.

1659
01:44:24,140 --> 01:44:27,940
He's got a patchwork quilt that his granny made into a jacket.

1660
01:44:28,500 --> 01:44:29,860
Granny Dylan did the job.

1661
01:44:30,020 --> 01:44:30,940
Look at your man.

1662
01:44:31,000 --> 01:44:32,360
It's fucking Alan Carr.

1663
01:44:32,900 --> 01:44:33,960
The bellboy.

1664
01:44:33,960 --> 01:44:37,580
The doorman is Alan Carr from Channel 4.

1665
01:44:38,580 --> 01:44:39,020
Eww.

1666
01:44:40,580 --> 01:44:42,060
It's a crazy world.

1667
01:44:42,220 --> 01:44:43,000
A crazy bit of business.

1668
01:44:43,240 --> 01:44:45,860
Just go show the kind of shit you see on TNT.

1669
01:44:46,520 --> 01:44:48,340
There's some real pearls out there.

1670
01:44:48,660 --> 01:44:49,300
Thanks very much,

1671
01:44:49,380 --> 01:44:49,820
The Hurricane,

1672
01:44:50,160 --> 01:44:51,040
for the tip.

1673
01:44:51,140 --> 01:44:51,480
And also,

1674
01:44:51,640 --> 01:44:52,400
Danny Lafani,

1675
01:44:52,500 --> 01:44:54,140
who recommended this clip,

1676
01:44:54,460 --> 01:44:56,280
which I'm now obsessed with.

1677
01:44:56,280 --> 01:45:02,740
We go back to Alan Carr at the beginning.

1678
01:45:02,960 --> 01:45:03,880
Look at...

1679
01:45:03,880 --> 01:45:05,340
Alan Carr's chatty, man.

1680
01:45:05,400 --> 01:45:06,440
He just took the bag.

1681
01:45:07,080 --> 01:45:08,600
Off Bob Dylan.

1682
01:45:09,280 --> 01:45:10,960
And he's got his patch...

1683
01:45:10,960 --> 01:45:14,360
I got patchwork quilt denim jacket.

1684
01:45:15,160 --> 01:45:17,280
Made by my granny.

1685
01:45:18,220 --> 01:45:19,660
And a punch.

1686
01:45:20,320 --> 01:45:22,160
Just like a woman.

1687
01:45:23,440 --> 01:45:26,020
Oh no, we've got bots in the fucking audience.

1688
01:45:26,200 --> 01:45:27,300
Bots in the audience, guys.

1689
01:45:27,440 --> 01:45:28,040
Hot girls.

1690
01:45:28,520 --> 01:45:29,300
They're advertising.

1691
01:45:29,440 --> 01:45:31,260
Hot girls and boys video chat.

1692
01:45:31,340 --> 01:45:32,920
We need to get rid of them fast.

1693
01:45:32,920 --> 01:45:34,120
They need to be squelched.

1694
01:45:37,840 --> 01:45:39,080
You done good, boss.

1695
01:45:39,080 --> 01:45:41,480
Hey!

1696
01:45:44,480 --> 01:45:45,080
Asshole.

1697
01:45:46,160 --> 01:45:47,240
Are you alright?

1698
01:45:48,520 --> 01:45:49,420
Alright, Bob.

1699
01:45:49,500 --> 01:45:50,120
How you doing?

1700
01:45:50,260 --> 01:45:52,500
Welcome to Alan Carr's chatty, man.

1701
01:45:53,800 --> 01:45:58,960
Let me out of this channel for a talk show.

1702
01:45:58,960 --> 01:46:04,000
I'm too old to be bothered going on Alan Carr.

1703
01:46:05,000 --> 01:46:06,760
And now, back to the Chronicles,

1704
01:46:06,960 --> 01:46:08,180
the days of yore.

1705
01:46:08,400 --> 01:46:08,960
I'll chalk.

1706
01:46:09,660 --> 01:46:12,040
And maybe add some highlights into the apple here.

1707
01:46:12,300 --> 01:46:13,800
And again, you can see that the...

1708
01:46:14,400 --> 01:46:17,000
Not only is the paper texture coming through as I draw,

1709
01:46:17,540 --> 01:46:20,000
but I can get very subtle lines

1710
01:46:20,000 --> 01:46:22,680
to very, very dense dark lines,

1711
01:46:22,760 --> 01:46:24,080
depending on how hard I press.

1712
01:46:24,360 --> 01:46:25,540
So it's really feeling...

1713
01:46:25,540 --> 01:46:27,060
It's working interactively with the artist

1714
01:46:27,060 --> 01:46:30,580
and allowing the artist's personal expression to come through.

1715
01:46:31,680 --> 01:46:34,640
I know the Alan Carr impression isn't the best.

1716
01:46:34,640 --> 01:46:37,080
Obviously, I've shown ways that an artist would begin something,

1717
01:46:37,080 --> 01:46:39,080
but they're showing very powerful tools.

1718
01:46:39,080 --> 01:46:41,200
Just in the machinery itself, for instance,

1719
01:46:41,360 --> 01:46:44,040
I can meld two images together very quickly.

1720
01:46:44,280 --> 01:46:46,300
I've got a background that I created.

1721
01:46:47,000 --> 01:46:49,900
Just a very quick sketch of an ocean scene that I did,

1722
01:46:50,000 --> 01:46:52,280
again, using the pastel chalks.

1723
01:46:52,960 --> 01:46:55,840
And now I'm going to meld these two images together.

1724
01:46:58,840 --> 01:46:59,720
Thanks for the tip.

1725
01:46:59,720 --> 01:47:00,620
A slug.

1726
01:47:01,360 --> 01:47:01,760
Right.

1727
01:47:01,900 --> 01:47:03,440
And you can meld that into...

1728
01:47:03,440 --> 01:47:04,040
A slug shining.

1729
01:47:04,120 --> 01:47:04,780
Thank you very much.

1730
01:47:04,920 --> 01:47:05,960
I hope you're well, Francis.

1731
01:47:06,200 --> 01:47:08,680
Do you know Bob Dylan did a Victoria's Secret advert?

1732
01:47:08,800 --> 01:47:11,020
I think I had heard rumors of something.

1733
01:47:11,280 --> 01:47:12,560
There's some talk about it.

1734
01:47:13,680 --> 01:47:15,100
I'm not sure what it was like,

1735
01:47:15,140 --> 01:47:16,480
what the content was like, though.

1736
01:47:16,640 --> 01:47:18,060
Into a background you created.

1737
01:47:18,180 --> 01:47:19,220
It might be worth looking at.

1738
01:47:19,240 --> 01:47:19,620
I'm not sure.

1739
01:47:19,680 --> 01:47:21,260
But that punch really is...

1740
01:47:21,260 --> 01:47:22,320
It's 17 seconds.

1741
01:47:22,440 --> 01:47:23,800
It's everything you need, really, isn't it?

1742
01:47:26,160 --> 01:47:28,280
We might have a look at the Victoria's Secret advert.

1743
01:47:28,380 --> 01:47:29,660
I don't want it to get copyrighted.

1744
01:47:29,660 --> 01:47:31,660
Very quickly that on paper would just take

1745
01:47:31,660 --> 01:47:33,480
hours and hours and hours.

1746
01:47:33,840 --> 01:47:36,420
So you can see with the combination for an artist

1747
01:47:36,420 --> 01:47:38,520
of being able to reproduce the look and feel

1748
01:47:38,520 --> 01:47:40,080
of natural media.

1749
01:47:40,540 --> 01:47:40,980
Yeah.

1750
01:47:41,120 --> 01:47:44,180
Combined with the high-tech medium of the computer,

1751
01:47:44,320 --> 01:47:47,680
you just have a very, very powerful tool for fine artists.

1752
01:47:48,300 --> 01:47:49,400
What are the...

1753
01:47:49,400 --> 01:47:50,580
Are there trade-offs, though?

1754
01:47:50,660 --> 01:47:53,240
I mean, we're talking about emulating the environment

1755
01:47:53,240 --> 01:47:54,660
in which you would really be using paint

1756
01:47:54,660 --> 01:47:55,760
or really be using a pencil.

1757
01:47:55,760 --> 01:47:55,980
Right.

1758
01:47:56,080 --> 01:47:57,740
But I mean, I take there's some advantage

1759
01:47:57,740 --> 01:47:59,600
to not really using paint or not using a pencil.

1760
01:47:59,600 --> 01:48:00,980
Well, certainly there are.

1761
01:48:01,060 --> 01:48:02,580
You've got the machinery itself,

1762
01:48:02,720 --> 01:48:04,620
which allows me to archive my image.

1763
01:48:04,680 --> 01:48:08,820
Thanks for the tip.

1764
01:48:09,360 --> 01:48:28,360
Anyway, you know the crack.

1765
01:48:28,360 --> 01:48:29,800
Try different images like this.

1766
01:48:30,200 --> 01:48:31,300
And what do you do for hard copy?

1767
01:48:31,300 --> 01:48:34,860
Like the painting you show us in a frame at the beginning of the program.

1768
01:48:34,940 --> 01:48:38,060
Now, what do you use to turn this into something you can hang on your wall?

1769
01:48:38,060 --> 01:48:41,760
I think that's actually a question that a lot of artists have been wrestling with.

1770
01:48:42,180 --> 01:48:45,040
I have been experimenting with different printers,

1771
01:48:45,140 --> 01:48:46,920
such as the iris printer and the Kodak.

1772
01:48:47,060 --> 01:48:48,880
The dye sublimation printers are very nice.

1773
01:48:49,040 --> 01:48:51,220
Are you satisfied with the texture and the look

1774
01:48:51,220 --> 01:48:53,480
when you finally get it off the screen and onto a piece of paper?

1775
01:48:53,700 --> 01:48:54,500
There are new printers.

1776
01:48:54,580 --> 01:48:58,200
I mentioned the iris that can actually print out onto watercolor paper and canvas,

1777
01:48:58,340 --> 01:48:59,920
which is taking you that extra step.

1778
01:49:00,060 --> 01:49:00,260
Okay.

1779
01:49:00,440 --> 01:49:00,940
Very impressive.

1780
01:49:01,020 --> 01:49:01,980
Thank you both very much.

1781
01:49:02,100 --> 01:49:03,780
That is our look at computers and art.

1782
01:49:03,900 --> 01:49:06,560
Stay tuned now for this week's computer news on Random Access.

1783
01:49:06,900 --> 01:49:07,920
Computer news.

1784
01:49:11,800 --> 01:49:15,040
Someone said it's not Elaine's.

1785
01:49:15,120 --> 01:49:16,480
It's not Elaine Venice.

1786
01:49:16,600 --> 01:49:18,920
It's Elaine and George's daughter.

1787
01:49:19,720 --> 01:49:23,860
What an observation there from Kelly in the chat.

1788
01:49:24,620 --> 01:49:25,260
Look at this.

1789
01:49:28,260 --> 01:49:30,780
George Costanza and Elaine Venice.

1790
01:49:31,440 --> 01:49:32,560
Ba-dum-bum-bum-bum.

1791
01:49:32,880 --> 01:49:33,980
Ba-dum-bum-bum.

1792
01:49:34,260 --> 01:49:34,880
Ba-dum-bum-bum.

1793
01:49:35,140 --> 01:49:35,720
Ba-dum-bum-bum.

1794
01:49:35,840 --> 01:49:36,800
Ba-dum-bum-bum.

1795
01:49:37,080 --> 01:49:38,260
Sticking it to me, Jerry.

1796
01:49:39,320 --> 01:49:40,180
That extra step.

1797
01:49:40,180 --> 01:49:40,620
Wow.

1798
01:49:40,860 --> 01:49:46,120
If we could morph those faces together, that would really be nice just to have some.

1799
01:49:46,420 --> 01:49:49,100
Maureen Riley, thank you very much for the tip there.

1800
01:49:49,120 --> 01:49:52,740
Is that Windy Shepard Henderson that was in Tralee with Larry Buckley?

1801
01:49:52,840 --> 01:49:53,560
I'm not sure.

1802
01:49:54,080 --> 01:49:55,760
I'm not sure at all.

1803
01:49:55,780 --> 01:49:57,020
But thanks very much for the tip.

1804
01:49:57,620 --> 01:49:58,480
Fucking hell.

1805
01:49:58,480 --> 01:50:03,740
If we could get two kind of, what would you call those?

1806
01:50:03,840 --> 01:50:09,240
PNG transparent images of George Costanza and Elaine Venice and morph them together,

1807
01:50:09,340 --> 01:50:09,860
that would be great.

1808
01:50:10,020 --> 01:50:10,320
Fuck it.

1809
01:50:10,960 --> 01:50:11,480
Meld.

1810
01:50:11,560 --> 01:50:12,120
Sorry, meld.

1811
01:50:12,200 --> 01:50:12,660
Not morph.

1812
01:50:13,240 --> 01:50:13,800
That is our look.

1813
01:50:14,200 --> 01:50:15,020
Emelda me.

1814
01:50:15,280 --> 01:50:16,280
Computers and art.

1815
01:50:16,400 --> 01:50:18,900
Stay tuned now for this week's computer news on Random Act.

1816
01:50:20,040 --> 01:50:26,800
Before we go, Owen Fortune is chiming in with his two cents to say that there's a bit of Newman

1817
01:50:26,800 --> 01:50:27,900
in there as well.

1818
01:50:28,380 --> 01:50:29,980
Hello, Elaine Newman.

1819
01:50:30,580 --> 01:50:31,100
Stanza.

1820
01:50:31,260 --> 01:50:34,020
During the look when you finally get it off the screen and onto a piece of paper.

1821
01:50:34,260 --> 01:50:35,060
There are new printers.

1822
01:50:35,160 --> 01:50:38,980
I mentioned the iris that can actually come out onto watercolor paper and canvas, which

1823
01:50:38,980 --> 01:50:39,300
is taking...

1824
01:50:39,300 --> 01:50:42,440
Well, maybe not home, but it was funny to imagine it.

1825
01:50:42,520 --> 01:50:43,500
Thank you both very much.

1826
01:50:43,580 --> 01:50:45,260
That is our look at computers and art.

1827
01:50:45,380 --> 01:50:48,040
Stay tuned now for this week's computer news on Random Access.

1828
01:50:50,720 --> 01:50:55,300
Yes, let's just have another little look at that swipe, that transitional swipe that comes

1829
01:50:55,300 --> 01:50:59,160
in over the top of the previous image there.

1830
01:50:59,160 --> 01:51:00,160
Wow.

1831
01:51:03,440 --> 01:51:04,580
Tonight at nine.

1832
01:51:04,580 --> 01:51:31,080
We get that.

1833
01:51:31,180 --> 01:51:31,660
We get it.

1834
01:51:32,500 --> 01:51:33,260
We get it.

1835
01:51:33,260 --> 01:51:37,020
Sorry.

1836
01:51:37,720 --> 01:51:38,980
Computer news.

1837
01:51:39,580 --> 01:51:40,820
Computer news.

1838
01:51:42,780 --> 01:51:43,540
What's this?

1839
01:51:43,800 --> 01:51:44,700
Pick of the week.

1840
01:51:45,360 --> 01:51:50,780
Parents, Kids and Computers by R Raskin and C Ellison.

1841
01:51:50,780 --> 01:51:57,580
An activity guide for parents to use with children to get the most out of the family computer.

1842
01:51:58,360 --> 01:52:01,220
Parents, Kids and Computers.

1843
01:52:01,780 --> 01:52:03,500
A Random House publication.

1844
01:52:03,500 --> 01:52:03,500
A Random House publication.

1845
01:52:03,500 --> 01:52:10,500
Which, if I'm not mistaken, is owned by Rupert the Bear Murdoch.

1846
01:52:12,100 --> 01:52:18,820
Who also is proprietor and owner of the Sunset Times.

1847
01:52:18,820 --> 01:52:21,420
Another Murdoch venture.

1848
01:52:23,420 --> 01:52:25,140
Sheffey uses LimeWire.

1849
01:52:25,140 --> 01:52:26,140
Sheffey uses LimeWire.

1850
01:52:26,140 --> 01:52:27,140
You heard it here first.

1851
01:52:27,140 --> 01:52:31,140
Random Access.

1852
01:52:31,140 --> 01:52:35,420
Random House Audio presents Janelle Stelson.

1853
01:52:35,420 --> 01:52:37,940
Janelle Patterson.

1854
01:52:37,940 --> 01:52:39,220
Nae Stelson.

1855
01:52:39,220 --> 01:52:41,400
In the Random Access File.

1856
01:52:41,400 --> 01:52:42,220
Wait.

1857
01:52:42,640 --> 01:52:43,220
There's another.

1858
01:52:43,220 --> 01:52:44,240
There's two Janelles.

1859
01:52:45,020 --> 01:52:48,700
Unless they fucking forgot to change her name to Patterson on the fucking thing.

1860
01:52:50,040 --> 01:52:53,260
This week, Apple has announced two new PowerBook models.

1861
01:52:53,260 --> 01:52:57,320
The 180C will bring active Matrix color to the PowerBook line.

1862
01:52:57,320 --> 01:52:59,760
Go home tonight and go into the internet more, Cummins.

1863
01:52:59,760 --> 01:53:06,200
The new 145B is an entry-level PowerBook priced about 25% lower than the model 170.

1864
01:53:07,040 --> 01:53:07,680
Zenith is in...

1865
01:53:07,680 --> 01:53:08,220
170.

1866
01:53:09,480 --> 01:53:12,000
Someone would play second life, says Gareth Ford.

1867
01:53:12,000 --> 01:53:17,820
You just made me remember there that Connor Williams started fucking Half-Life.

1868
01:53:19,400 --> 01:53:20,200
What's the...

1869
01:53:20,200 --> 01:53:22,700
Where they remade the first one in with better graphics again.

1870
01:53:22,760 --> 01:53:23,340
What's that called?

1871
01:53:24,640 --> 01:53:26,540
Started playing it anyway and never finished it.

1872
01:53:26,540 --> 01:53:32,900
So I think I'd rather finish that than fucking play Resident Evil.

1873
01:53:33,040 --> 01:53:33,680
Black Mesa.

1874
01:53:33,960 --> 01:53:40,580
I'd rather play Black Mesa and finish that than bloody Resident Evil Village crap.

1875
01:53:40,580 --> 01:53:43,520
Produced a pen-top version of its Zenote portable.

1876
01:53:44,020 --> 01:53:49,220
It's a 486 machine with a 120MB hard drive and built-in Ethernet hardware.

1877
01:53:49,920 --> 01:53:50,480
If you want...

1878
01:53:50,480 --> 01:53:51,300
Hardware.

1879
01:53:51,540 --> 01:53:52,440
Portability and...

1880
01:53:52,440 --> 01:53:54,320
Lovely bit of vocal fry at the end of that one.

1881
01:53:54,340 --> 01:53:57,120
...multi-byte hard drive and built-in Ethernet hardware.

1882
01:53:57,960 --> 01:53:58,440
Where?

1883
01:53:58,700 --> 01:54:02,240
If you want portability and multimedia, Micro Express is...

1884
01:54:02,240 --> 01:54:06,520
Yeah, we're going to check the credits at the end, Kevin, because I'm not really convinced here

1885
01:54:06,520 --> 01:54:08,880
that Stelzen and Patterson are two different people.

1886
01:54:08,880 --> 01:54:11,080
...has unveiled its new Regal Portable.

1887
01:54:11,580 --> 01:54:15,020
I'd never even heard of the name Janelle, so how can there be two of them as well?

1888
01:54:15,220 --> 01:54:22,860
...box-style PC is a 33MHz 486 with a built-in sound blaster card, CD-ROM drive, stereo speakers,

1889
01:54:23,040 --> 01:54:24,820
and a 200MB hard drive.

1890
01:54:25,160 --> 01:54:27,000
Two new wireless modems announced this week.

1891
01:54:27,360 --> 01:54:32,440
Motorola is promising a PC MCIA format modem with built-in battery and antenna.

1892
01:54:32,940 --> 01:54:35,140
And Intel says it will be outlier...

1893
01:54:35,140 --> 01:54:35,340
McPhail, thank you very much.

1894
01:54:36,100 --> 01:54:36,540
McPhail!

1895
01:54:36,920 --> 01:54:42,700
I think you'll enjoy this brutal reaction of Gary Oldman's Yeti monologue, performed by an extremely young book,

1896
01:54:43,280 --> 01:54:44,180
spurred on by his father.

1897
01:54:44,260 --> 01:54:44,800
I've seen it.

1898
01:54:44,820 --> 01:54:46,840
We've seen it on the stream already, McPhail.

1899
01:54:47,140 --> 01:54:47,320
It's...

1900
01:54:47,320 --> 01:54:50,200
And we can't go back and revisit that.

1901
01:54:50,520 --> 01:54:55,660
...a wireless modem that comes bundled with AT&T communications software.

1902
01:54:56,140 --> 01:55:00,140
Time now for this week's software review from Paul Schindler of Windows Magazine.

1903
01:55:00,360 --> 01:55:01,140
Oh, God!

1904
01:55:02,140 --> 01:55:03,160
Get the music ready.

1905
01:55:03,220 --> 01:55:04,820
I don't even need to know what's coming up.

1906
01:55:04,900 --> 01:55:05,460
The music's...

1907
01:55:05,460 --> 01:55:06,700
Get that music on now!

1908
01:55:08,840 --> 01:55:10,240
Let's go into Paul Schindler.

1909
01:55:10,500 --> 01:55:11,620
We're going into Paul...

1910
01:55:11,620 --> 01:55:12,120
Whoa, whoa, whoa, whoa!

1911
01:55:14,120 --> 01:55:16,760
Guys, it's the first for the stream.

1912
01:55:16,980 --> 01:55:22,260
We're going into Paul Schindler's bit cold with the music because I know it's coming.

1913
01:55:22,360 --> 01:55:26,820
I'm already going to slow this down and we're already going to be prepared.

1914
01:55:26,980 --> 01:55:29,160
We're well prepared for Schindler's lips.

1915
01:55:29,160 --> 01:55:34,160
I wish I had the zoom-in capability that I had the last day.

1916
01:55:34,200 --> 01:55:39,380
I don't, but let's brace yourself because this could get fucking weird and tense and odd.

1917
01:55:43,340 --> 01:55:49,060
Oh, God.

1918
01:55:49,220 --> 01:55:49,860
I've just seen it.

1919
01:55:49,860 --> 01:55:50,300
Oh!

1920
01:55:50,300 --> 01:56:02,300
We do this double.

1921
01:56:02,480 --> 01:56:03,580
We do the double on it.

1922
01:56:13,840 --> 01:56:14,580
Here we go.

1923
01:56:14,700 --> 01:56:14,980
Sorry.

1924
01:56:30,420 --> 01:56:30,920
Whoa!

1925
01:56:33,420 --> 01:56:34,060
What the hell?

1926
01:56:34,060 --> 01:56:47,260
What about this? What about this? What about this? What about this?

1927
01:56:47,260 --> 01:57:15,260
*Music* Just a still?

1928
01:57:15,260 --> 01:57:32,260
*Music*

1929
01:57:32,260 --> 01:57:34,260
Sorry there. Good on that.

1930
01:57:34,260 --> 01:57:37,260
*Music*

1931
01:57:37,260 --> 01:57:42,260
*Music*

1932
01:57:42,260 --> 01:57:47,260
*Music*

1933
01:57:47,260 --> 01:58:04,260
*Music*

1934
01:58:04,260 --> 01:58:16,260
*Music*

1935
01:58:16,260 --> 01:58:28,260
*Music*

1936
01:58:28,260 --> 01:58:53,260
*Music*

1937
01:58:53,260 --> 01:58:54,260
*Music*

1938
01:58:54,260 --> 01:58:55,260
*Music*

1939
01:58:55,260 --> 01:58:56,260
*Music*

1940
01:58:56,260 --> 01:58:57,260
*Music*

1941
01:58:57,260 --> 01:58:58,260
*Music*

1942
01:58:58,260 --> 01:58:59,260
*Music*

1943
01:58:59,260 --> 01:59:00,540
Thank you.

1944
01:59:08,820 --> 01:59:11,820
Gather the grid.

1945
01:59:12,860 --> 01:59:15,180
Don't let us.

1946
01:59:17,060 --> 01:59:22,140
And think about the pink.

1947
01:59:23,020 --> 01:59:24,260
Don't let us.

1948
01:59:24,260 --> 01:59:26,900
Think about the pink.

1949
01:59:28,100 --> 01:59:29,380
Did he just say.

1950
01:59:29,940 --> 01:59:30,300
Oh.

1951
01:59:32,140 --> 01:59:32,900
I think.

1952
01:59:33,240 --> 01:59:34,640
I just heard the lyrics there.

1953
01:59:34,720 --> 01:59:34,860
It says.

1954
01:59:34,940 --> 01:59:36,420
Think about the pink go down.

1955
01:59:39,880 --> 01:59:42,040
I think he said.

1956
01:59:42,120 --> 01:59:43,760
Think about the pink.

1957
01:59:44,380 --> 01:59:45,260
And another thing.

1958
01:59:45,320 --> 01:59:46,180
That's even more frightening.

1959
01:59:46,340 --> 01:59:46,860
Look at this.

1960
01:59:46,920 --> 01:59:47,800
What I seen here.

1961
01:59:48,360 --> 01:59:49,480
This is what I told you about.

1962
01:59:49,520 --> 01:59:50,060
The last day.

1963
01:59:50,100 --> 01:59:50,280
Right.

1964
01:59:50,800 --> 01:59:51,900
The weird video.

1965
01:59:51,900 --> 01:59:53,160
For Big Breaks.

1966
01:59:53,220 --> 01:59:53,980
Full theme song.

1967
01:59:53,980 --> 01:59:54,420
On YouTube.

1968
01:59:54,600 --> 01:59:54,980
Features.

1969
01:59:54,980 --> 01:59:56,120
A still image.

1970
01:59:56,340 --> 01:59:56,580
Of a.

1971
01:59:56,940 --> 01:59:58,560
A snooker referee.

1972
01:59:59,340 --> 02:00:00,060
Throttling.

1973
02:00:01,060 --> 02:00:02,160
A snooker player.

1974
02:00:02,240 --> 02:00:02,980
I don't know why.

1975
02:00:04,360 --> 02:00:05,040
Can we get this.

1976
02:00:05,560 --> 02:00:06,100
One up.

1977
02:00:07,160 --> 02:00:07,440
Oh.

1978
02:00:07,900 --> 02:00:08,060
Oh.

1979
02:00:11,060 --> 02:00:11,580
What.

1980
02:00:11,780 --> 02:00:12,580
What's that?

1981
02:00:12,660 --> 02:00:14,260
123 on the fucking.

1982
02:00:14,580 --> 02:00:15,120
On the video.

1983
02:00:15,200 --> 02:00:15,500
Lots.

1984
02:00:15,500 --> 02:00:16,880
123 on this one.

1985
02:00:16,940 --> 02:00:17,120
Lots.

1986
02:00:17,240 --> 02:00:18,300
Square space.

1987
02:00:18,780 --> 02:00:20,240
Gender nonconformity.

1988
02:00:20,320 --> 02:00:20,580
Lots.

1989
02:00:20,660 --> 02:00:22,620
No gender nonconformity.

1990
02:00:22,620 --> 02:00:23,320
Here today.

1991
02:00:23,420 --> 02:00:23,840
Lots.

1992
02:00:24,640 --> 02:00:25,700
We got a 120.

1993
02:00:25,820 --> 02:00:27,540
We got a snooker referee.

1994
02:00:28,820 --> 02:00:30,960
Throttling a fucking snooker player.

1995
02:00:31,080 --> 02:00:31,500
Lots.

1996
02:00:33,200 --> 02:00:34,980
No sex discrimination here.

1997
02:00:35,580 --> 02:00:37,460
Let me just try and move this.

1998
02:00:38,540 --> 02:00:40,380
Look at that image.

1999
02:00:41,120 --> 02:00:41,580
And then.

2000
02:00:42,160 --> 02:00:42,460
Someone.

2001
02:00:42,620 --> 02:00:44,120
Jimmy White is laughing.

2002
02:00:44,120 --> 02:00:45,060
In the background.

2003
02:00:45,460 --> 02:00:48,000
And then this guy is like fucking going for this guy.

2004
02:00:49,440 --> 02:00:49,860
Is that.

2005
02:00:49,920 --> 02:00:50,860
Is that.

2006
02:00:51,200 --> 02:00:51,720
Higgins.

2007
02:00:52,600 --> 02:00:53,520
With the bald head.

2008
02:00:54,520 --> 02:00:56,200
It's the hurricane Higgins.

2009
02:00:56,540 --> 02:00:58,940
And he felt the wrath of the hurricane.

2010
02:00:59,940 --> 02:01:01,000
The hurricane.

2011
02:01:01,420 --> 02:01:02,060
Referee.

2012
02:01:02,980 --> 02:01:03,800
The whirlwind.

2013
02:01:04,320 --> 02:01:05,320
It's the whirlwind.

2014
02:01:05,760 --> 02:01:06,160
Laughing.

2015
02:01:06,640 --> 02:01:07,460
While the hurricane.

2016
02:01:07,940 --> 02:01:09,140
Is getting throttled.

2017
02:01:11,440 --> 02:01:12,600
Oh my god.

2018
02:01:15,400 --> 02:01:15,960
Wow.

2019
02:01:18,640 --> 02:01:19,160
Anyway.

2020
02:01:19,460 --> 02:01:20,940
Let's just listen to the lyrics here.

2021
02:01:21,000 --> 02:01:21,900
He says something like.

2022
02:01:22,080 --> 02:01:24,060
Don't be thinking about the pink or something.

2023
02:01:25,500 --> 02:01:26,180
Let's see.

2024
02:01:26,300 --> 02:01:26,800
Let's see.

2025
02:01:26,800 --> 02:01:31,080
It's only a game.

2026
02:01:31,240 --> 02:01:31,660
So.

2027
02:01:31,900 --> 02:01:32,800
Put up a real.

2028
02:01:33,200 --> 02:01:34,280
Think about the pink.

2029
02:01:34,460 --> 02:01:35,260
Don't let a red.

2030
02:01:35,460 --> 02:01:36,620
Go to your head.

2031
02:01:36,880 --> 02:01:38,000
Think about the pink.

2032
02:01:38,320 --> 02:01:39,480
Think about the pink.

2033
02:01:39,840 --> 02:01:40,920
Think about the pink.

2034
02:01:41,080 --> 02:01:42,060
Don't think about the pink.

2035
02:01:42,240 --> 02:01:43,440
Don't think about the pink.

2036
02:01:43,640 --> 02:01:45,000
Don't think about the pink.

2037
02:01:45,200 --> 02:01:46,860
Don't think about the pink.

2038
02:01:46,860 --> 02:01:47,680
Don't let a red.

2039
02:01:48,000 --> 02:01:49,300
Go to your head.

2040
02:01:49,760 --> 02:01:50,540
Sorry about that.

2041
02:01:50,540 --> 02:01:51,800
It's only a game.

2042
02:01:51,800 --> 02:01:53,800
*Bang*

2043
02:01:55,580 --> 02:02:04,180
We're back to that. Sorry about that. Let's slow that one back down again just for our outro here. Paul Schindler's special edition outro.

2044
02:02:06,540 --> 02:02:08,540
Holy fuck

2045
02:02:08,540 --> 02:02:27,940
there he is john virgo everybody paul schindler virgo schindler's list

2046
02:02:27,940 --> 02:02:54,160
love is a game's new, same's the joy that you get a good night tonight at nine

2047
02:02:54,160 --> 02:02:59,320
schindler's list

2048
02:02:59,320 --> 02:03:04,980
tonight at nine

2049
02:03:04,980 --> 02:03:11,220
oscar schindler

2050
02:03:11,220 --> 02:03:20,960
tonight at nine

2051
02:03:20,960 --> 02:03:47,900
good night and god bless folks

2052
02:03:47,900 --> 02:03:54,520
good night and god bless folks thanks for watching

2053
02:03:54,520 --> 02:03:57,900
i'll leave you with this

2054
02:03:57,900 --> 02:04:11,180
thanks for the tip

2055
02:04:11,180 --> 02:04:27,180
thanks for the tip

2056
02:04:27,180 --> 02:04:29,100
Breen Schindler, thank you very much.

2057
02:04:29,100 --> 02:04:45,040
You're not a killer.

2058
02:04:45,040 --> 02:04:45,600
Thank you.